What should you consider when choosing a title? Does it make that much difference? Today I am handing over the blog to author and blogger, Linda Yezak, who will discuss that topic with you.
Here's a thumbnail sketch of her credentials: Content Editor for Port Yonder Press, ditorial Assistant for Terry Burns, Hartline Literary Agency, Copy Editor- Scienda Quarterly, Contributing author-Beyondaries, and author of Give the Lady a Ride. In addition, she does freelance editing, proofreading, critiquing and speaking engagements.
Now look at the titles below and think about your reaction to them.
Storming Heaven, by Kyle Mills
I Do, but I Don’t, by Cara Lockwood
We’ll Meet Again, by Mary Higgins Clark
The Brass Verdict, by Michael Connelly
You Had Me At Halo, by Amada Ashby
Elvis Takes a Backseat, by Leanna Ellis
Playing for Pizza, by John Grisham
My Name is Russel Fink, by Michael Snyder
These are among the books on my shelf. Some are written by authors everyone knows, some by folks no one knows, a couple by people I know personally. So if you’re looking at the authors to see why I bought these books, you’re only partly right.
I liked the titles.
The Last Sin Eater, by Francine Rivers
The Survivors Club, by Lisa Gardner
Death du Jour, by Kathy Reichs
Fire Dancer, by Colleen Coble
Thyme for Love, by Pamela S. Meyers
Funny thing about book stores. They have only so much room to present books with the covers facing out. In fact, publishers tend to pay a bit extra for such a face-forward presentation. Which means the title is often the first thing a browser sees as he’s scanning the shelves, which, in turn, means the title is a selling point.
If you’re Mr. Famous Author, all you need showing is your name–Grisham, Reichs, Gardner, Rivers. But if you’re breaking into the scene, you’ll need every advantage you can get. How does your title measure up? Is it a good teaser? Does it make a browser want lift the book from the shelf to see the cover–the second biggest selling point?
Take extra time with your title. It should pique curiosity even as it clues the reader in to what the book is about. It should be catchy, intriguing, inviting.
So, does your title alone create an interest to pick up the book or pass it by?
If you would like to learn more about Linda and her writing or book her for a speaking engagement, here's the link to do just that.
For those who love to write and read about the craft of writing and publishing. Read, study, research, write, rewrite, review, submit, submit, submit...Publish! Then do it all over again.
Tuesday, April 24, 2012
Choosing a Title -- An Author’s First Marketing Device - Guest blog by Linda Yezak
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choosing a title,
Linda Yezak,
writing tips
Tuesday, April 17, 2012
Writing for Children - How to Set up School Visits
For those who have written children’s books, they know one way to promote their books is by school visits. But if you’ve never been a teacher where do you begin? Who do you contact? Today's interview is with an author who is well versed in doing school visits.
Mara Rockliff is the author of many books for kids and teens, including My Heart Will Not Sit Down (Knopf, 2012), the Green Earth Book Awards 2011 Honor winner Get Real: What Kind of World Are You Buying? and The Milo & Jazz Mysteries series, published under the pen name Lewis B. Montgomery.She has been doing school visits for seven years, including a visit to rural Jamaica, where the school lunches are delicious.
Mara Rockliff is the author of many books for kids and teens, including My Heart Will Not Sit Down (Knopf, 2012), the Green Earth Book Awards 2011 Honor winner Get Real: What Kind of World Are You Buying? and The Milo & Jazz Mysteries series, published under the pen name Lewis B. Montgomery.She has been doing school visits for seven years, including a visit to rural Jamaica, where the school lunches are delicious.
For someone not accustomed to doing public speaking, how do you plan for this? What is the first step?
If you’re a published children’s writer and you have a website saying where you live, you will probably get emails from schools in your area asking if you do author visits.
The best way to encourage this is to make sure your website has a page saying you do author visits, giving schools a way to contact you, and describing the program(s) that you offer. You’ll also want to get listed on sites such as America Writes for Kids, Kim Norman’s Author School Visits by State, and SCBWI.
Of course, then you need to HAVE a program ready to present! A great way to get some ideas is to watch other authors doing school visits. Your local school may let you attend an assembly, or if you have writer friends who are doing visits nearby, ask if you can go along. Some children’s writers post video clips on their websites. You can even google “author visit video” and see what comes up.
Teachers and librarians are a great resource. If you know any, you could ask them nicely if they’d read your books and make suggestions. You might offer to do a free school or library visit in return.
Once you have a program planned, if you’re not used to public speaking, PRACTICE. That probably sounds obvious, but it took me ages to figure out!
What I used to do was just make notes of what I wanted to say, then show up and hope for the best. When it didn’t go well, I thought it was because I wasn’t a natural speaker and didn’t get enough practice speaking in public. It never occurred to me that I could actually PRACTICE AT HOME.
Finally a friend tipped me off. Now I rehearse my school visit programs many times before I go. I’ve heard of people doing this in front of a mirror, which sounds like a terrific idea. I tried it and I couldn’t get three words out of my mouth. So I borrow my daughter’s stuffed animals and talk to them.
Fun, right? NO. I hate it. But my programs have gotten much better.
One last suggestion: Check out Schoolvisitexperts.com. It’s full of wonderful advice to children’s writers about how to improve our school visits.
What type of books work best for school visits and why? Picture books? Easy Readers? MG books? YA Books?
That’s an interesting question! In my experience, YA authors get fewer school visit requests. I think that is because elementary schools have more flexible schedules and more active parents’ groups, which often raise the money for an author visit. When YA authors are invited to a middle school or high school, they’re likely to be asked to do a writing workshop for a small group—maybe just one class.
Elementary schools are more likely to want an author to do large assemblies, often for several grades at a time. Authors who write for different age groups definitely have an advantage. For instance, I write picture books under my own name, but I also write a humorous chapter book mystery series under the pen name Lewis B. Montgomery. Schools like that, because I can use my picture books with grades K-1 and my chapter books with grades 2-5.
Still, if you only write one type of book, that doesn’t mean you can’t do school visits. Picture book authors can talk to older kids about the writing and publishing process. And schools might bring in a middle grade author just for the upper grades.
Personally, I’m not a huge fan of author visits for the little kids. I do them, and the kids have a great time and so do I, but they would have an equally good time with any grownup doing something fun. The thing is that kids under second grade do not understand what an author is. I don’t care if they can all sing “The author writes the book, the author writes the book, hi-ho the derry-o, the author writes the book.” They still don’t get it.
How do I know this? Because my daughter, who is a reasonably intelligent child, LIVES with a children’s author. And well into first grade, when one of my new books came in, she would read it and then say to me, “You’ll never guess how it ends!”
How long of a presentation should you expect to do? What should you cover?
Usually, schools will expect a presentation between 40 minutes and an hour, depending on how long their class periods are and how flexible their schedule is. That’s something to work out ahead of time with your contact at the school. It’s good to be flexible, though, because some schools have kids in their seats at the dot of the appointed time, while at other schools, the classes may take ten minutes to straggle in, and then the principal gets up and spends another ten minutes introducing you and telling the kids how to behave.
I’ve actually never seen an author visit program where the author just read books. With my picture book The Busiest Street in Town, I do read the story aloud (with the pages projected on a screen so everyone can see), but I use big colorful props and let the kids help act it out, and then there is an art project for them to do.
For the older kids, I don’t read aloud at all. Instead, I talk about the writing process, using funny slides, a costume, and lots of audience participation to keep it lively. Getting questions at the end is no problem—there are always more raised hands than I can call on.
Should you bring books with you to sell? Or should you just let them be ordered?
The first thing to do is check your contract, or talk to your publisher, and find out whether you’re allowed to sell your books. If you are, you’ll need a sales tax license from your state, I think—and also any state where you do school visits? As you can see, I’m not an expert! I don’t sell my own books, partly because I don’t have time to deal with those complications, and also because I’d rather see schools support independent bookstores in their area.
When a school asks me to visit, I let them know that I am more than happy to sign books while I am there. I also tell them that many schools and PTAs raise money to help cover the cost of an author visit by ordering books at a discount from a local bookstore (or directly from the publisher) and selling them to students at the cover price.
The best way to do this is to send order forms home with students weeks before the visit; that way the school knows exactly how many books they’ll need. I have order forms available for download on my website and schools are welcome to adapt them however they please.
Do schools pay authors for their visits? How does an author negotiate a fee?
Absolutely! School visits take a lot of time and effort—not just the time an author spends at the school, but time spent arranging the visit (a typical school visit involves dozens of emails back and forth), planning a program, making props, rehearsing, creating materials such as a simple contract or book order forms, and traveling to and from the school. This is all time away from your real job: writing!
Some authors list their fees on their websites or in their brochures. Others, like me, tell schools to contact them for fees. I’m not being coy; it’s just that my fees vary depending on how far away the school is, whether or not I’ll need to spend the night, and how many presentations they want me to do.
I can often work with schools to make my visit more affordable. I give discounts for multiple days in the same district, for example. I also lower my fee for local schools and schools in low-income areas.
If you’re just starting out, ask around about the going rate in your area. Aim low at first, but not too low, unless you owe someone a favor. Unfortunately, new authors often find that if they charge schools too little (or nothing), they’re not treated well. You’d think that people would say, “What a nice author to come for free! How kind and generous!” But instead they tend to think that if they didn’t have to pay for it, your time and effort must not be worth anything.
Give me an example of something that surprised you in a good way in doing a school visit. Tell of something you learned the hard way to improve your school visits.
Every school visit has wonderful surprises, because you get to meet kids and hear the things they say about your books! Often the teachers are surprised as well. They’ll come up afterward and tell me that a child who spoke up is usually very shy, or that they thought I picked a “troublemaker” to participate and they couldn’t believe how nicely he behaved.
One thing I’ve learned is that it’s NOT a good idea to pass out rewards (stickers, bookmarks, etc.) to kids for asking questions at the end. They go completely nuts and no one listens to your answers because all they want is to get called on next so they can have a sticker too. If you’re worried that no one will ask a question, have some questions ready to ask them. I like to ask kids about their favorite books
Also, never do Q&A sessions with little kids. A kindergartner’s idea of a question is, “I have a dog!”
If this hasn't answered all your questions or if you would like to buy some of Mara's books, here's a link to her website.
Wednesday, April 11, 2012
How About a FREE Book?
Act now and you can get a free eBOOK! The Kindle edition of the 5-Star novel, PROMISES, will be availableFREE this Wednesday (4/11/12) and Thursday (4/12/12). Just click on this link
Here's a short synopsis of the story:
Smooth as a sip of Kentucky Bourbon, PROMISES eases you into the Appalachian hill country. That wonderfully wild place of mountains and hollows, creeks and rivers, with its hardscrabble life and whiteboard churches where roots go deep, family matters, and Granny Wright is never wrong. A place where King Coal continues to rule, and beneath its veneer of respectability lays a hidden web of treachery.
Mary Jane Combs may have gotten her Momma's good looks, but her strong-willed determination came straight from Daddy. Growing up in Kentucky she dreamed of a simple life with a loving husband, a home of her own, and healthy kids. Instead she's become an international Supermodel, swapping the Appalachian coal country for New York City's Upper West Side and traveling the world in her private jet. But she'll need all the determination she can muster when her ex-husband sets out to destroy everything she's accomplished. Two questions loom: Can she do what needs to be done and still remain true to the promises she made at her mother's deathbed? And when the dust settles, will she at last find the loving relationship she always dreamed of as a girl?
Aimed at a mainstream audience, the book contains some sexual references and scenes…nothing as blatant or gratuitous as you’ll find in many Harlequin or other romance books.
BONUS If you would like the chance to win the latest Frank Peretti thriller, here's the link
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E.G. Lewis,
eBook giveaway
Tuesday, April 10, 2012
The Long and Short of Self-publishing -- Guest Blog by Terrie Thorpe
So you've finished your masterpiece and now you're ready to present your baby to the world! All those long lonely hours hammering away at your keyboard are ready to payoff. You've done your homework, editing, spell corrected, spaced properly, written a masterful synopsis and submitted to publishers.
Now anxiously wait by the mail box for that acceptance letter, that never seems to comes. When the letter does arrive, it is yet another rejection. Now you've got a decision to make, continue submitting or look into self-publishing.
The route of the self-publisher is the most challenging, yet rewarding experience for the writer. Like the pioneers of yesteryear, you are a new breed, embarking on an adventure. With the global reach of the internet and the publishing market changing the way that it has, there has never been a better time in 400 years since inventing the printing press for the writer to publish! The old gatekeepers have been replaced with electronic media. Now anyone with a desire to publish can see their work in print.
We've all heard the success stories of those fortunate few who have made a fortune with eBooks, and several self-published stories like William P. Young's novel “The SHACK”, but what you don't hear about is all the hard work it took for their success stories to come to life.
Just like writing, the self-publisher is responsible for all marketing, selling, publishing expenses, distribution, design, editing, public speaking, and promotion. All the things a traditional publisher would do to market your work. The basic difference is you are in complete control and get to reap the rewards of a job well done.
So what are the basics of self-publishing? What are the costs? Who should I choose to self-publish with?
First, what is a self-publisher? A self publisher is a person who chooses the route they want to publish. They can be a book author, a blogger, a journalist, family historian anyone who is not published through a contracted publishing company. That is not to say that you will not have to abide by the online services agreement, but you are in control of your work.
Next, Choosing your publishing venue. With the available arenas for publishing you have many options: you can go directly to eBook (electronic format book) or publish a physical book or both. With either of these choices there is quite a bit of research involved. Do I want to use a POD (Publish On Demand) company? or Vanity publisher?
Vanity Publishers were the first to take hold in the self-publishing arena. They offered a publishing service for very high fees, printing out a minimum run of let's say 250-1000 books. That was the end of their responsibility. You the author took responsibility to sell them and hopefully recoup the expense. Many people spent upwards of $20,000.00 to realize their dream and were reminded of the reality with a garage full of unsold books. Thankfully there are very few of those type vanity publishers still in business today.
POD (Print On Demand) are one of the most popular publishing styles of printed books these days. Most companies do not require a minimum order, leaving you hanging with a bunch of books, because they only print what is ordered. They do not warehouse, which saves resources and your money. This lowers your expenses and you receive higher royalty.
I can't say it enough – do your research! There are some companies out there who prey on authors desperate to publish. They have hidden fees or their cost per printed book are very high. Some companies are a cross between a POD and Vanity. They require a certain order size before they print your book. That can be as low as 50 books, but if you consider 50 x say $11.95 per book (print cost) your looking at $597.50 plus shipping and handling! Consider the print price does not include any other services you might need like editing or cover design. Watch out! You would have to charge double to recoup your time and effort.
Compare services. Most all of the reputable POD's offer services for a price. They will do basic copy-editing, assist with layout and format, help with cover design. Some will even evaluate your manuscript for a fee. Review their website for details and ask questions from other users. Most have some type of forum or FAQ sections.
DIY (Do It Yourself) publishers There are a couple out there and best of all they are FREE! Yes, free. You might say, “How can it be free? What is the catch?
I've looked at three: Createspace (www.Createspace.com); LuLu (www.lulu.com); and Wordclay (www.wordclay.com). All claim publish your book for free, but the catch is you have to abide but their Formatting Guidelines. There’s that word again. If you have submitted anything to a prospective publisher they want you to adhere to their guidelines. Well it's the same here. They are not awful, but your manuscript will not be accepted if you don't follow their requirements.
If you are familiar with setting up a page in a word document, you can do this. Most accept a word doc file (.doc or .docx). Others like Createspace want the file uploaded in a PDF (Portable Document Format). For the PDF, all you do is re-size your page to the size of your book size. So, from a standard 8.5×11 sheet, you would change the size in page set up to a 6×9 sheet, portrait orientation. Viola, your standard manuscript pages would convert from 100 pages (8.5×11) to 200 pages (6×9). Nice! Now you don't have to write War and Peace to make your manuscript a book size.
As for the cover, most of these DIY sites offer a template cover design program that is fairly easy to use, for free. You select a color, a picture (if desired). You can add an author picture, a description and some font styles. These programs are limited, but if you have some extra cash, they offer some designer services for fee. If you are really creative, there are free designer programs of the web, such as GIMP an open source program, where you can create anything you want including adding your own photos.
If you feel you've exhausted your creativity on writing the book and don't want the challenge of page set up, or formatting or cover design, these companies can provide those services for a fee. Do compare shop for what your budget can endure to make your dream a reality.
These are a few of the publishing packages offered from the three DIY publishers mentioned earlier. Ranging in price for the Basic from $ 728.00 (Createspace, Lu Lu) to $ 4,850.00 for what I call the “full meal deal” everything they have to offer including some marketing help. Wordclay is fairly new company and didn't list any package prices. Keep in mind these publishing packages are only for one book file produced-no guaranteed sales. Your work as the promoter has only begun.
Individual services range in price: Basic copy-editing $120-$300.00 (10,000 wds); Cover design $149-$499.00; Editorial review $199-$275.00 and Formatting/ Interior layout $249-$349.00.
When I researched for a publishing company, I had a specific criteria in mind. I read several reviews of the companies I found and read reviews of other users to get feedback. I also read the company's TOS (Terms Of Service) and made a determination. I chose Createspace for my self-publishing needs. I have been very satisfied with their products and service.
I am now producing my second book “Footsteps of Jesus – Becoming a Disciple” through Createspace, due to release end of March 2012. I used the totally free method, except I had to purchase proof copies, which were reasonable. It was a challenge to learn how to prepare my manuscript for publishing, a huge learning curve, but I have the personal satisfaction of a job well done.
If you would like to learn more about her latest book or to purchase it, click here.
If you would like to learn more about her latest book or to purchase it, click here.
BONUS If you would like the chance to win the latest Frank Peretti thriller, here's the link
Friday, April 6, 2012
Looking for a Good MG or YA read - Here's the Top Sellers
Here's a list of the top sellers in hardback books for 2011 and their sale numbers as noted in Publishers Weekly. Reviewing the list you can see that it pays to be serial writer. It also shows how hard it is for a new writer to break into the top numbers list.
1. Cabin Fever (Diary of a Wimpy Kid #6). Jeff Kinney. Abrams/Amulet (3,321,388).
2. Inheritance (Inheritance Cycle #4). Christopher Paolini. Knopf (1,811,022).
3. The Son of Neptune (Heroes of Olympus #2). Rick Riordan. Disney-Hyperion (1,781,189).
4. The Throne of Fire (Kane Chronicles #2). Rick Riordan. Disney-Hyperion (1,187,604).
5. Destined (House of Night #9). P.C. and Kristin Cast. St. Martin’s Griffin (625,000).
6. Middle School, the Worst Years of My Life. James Patterson and Chris Tebbetts, illus. by Laura Park. Little, Brown (543,254).
7. Every Thing on It. Shel Silverstein. HarperCollins (511,389).
8. If You Give a Dog a Donut. Laura Numeroff, illus. by Felicia Bond. HarperCollins/Balzer + Bray (508,884).
9. City of Fallen Angels (Mortal Instruments #4). Cassandra Clare. S&S/McElderry (495,766).
10. Tales from a Not-So-Talented Pop Star (Dork Diaries #3). Rachel Renée Russell. S&S/Aladdin (492,832).
11. Silverlicious. Victoria Kann. HarperCollins (481,227).
For Paperback Editions...
Again, once you have an audience they want to read more of their favorites. Movies beget books and books beget movies.
1. Breaking Dawn (Twilight Saga #4) (trade and mass market media tie-in editions). Stephenie Meyer. Little, Brown/Tingley (753,888).
2. Witch & Wizard (mass market). James Patterson and Gabrielle Charbonnet. Little, Brown (656,665).
3. Phineas and Ferb: Across the 2nd Dimension. Disney Press (516,007).
4. Pinkalicious: Pinkie Promise. Victoria Kann. HarperCollins (457,416).
5. The Last Olympian (Percy Jackson and the Olympians #5). Rick Riordan. Disney-Hyperion (448,672).
6. Phineas and Ferb: Agent P’s Top-Secret Joke Book. Disney Press (403,950).
7. Race Around the World (Disney/Pixar Cars 2). Random House/Disney (356,822).
8. Fang (Maximum Ride #6) (mass market edition). James Patterson. Little, Brown (330,806).
9. African Cats: A Lion’s Pride. Disney Press (296,077).
10. Beastly (movie tie-in edition). Alex Flinn. HarperTeen (276,033).
11. Judy Moody and the NOT Bummer Summer (movie tie-in). Megan McDonald, illus. by Peter H. Reynolds. Candlewick (270,040).
If you would like to read the complete list of the top 100 best sellers in both categories, here's the link to do just that.
Labels:
top selling childrens books
Wednesday, April 4, 2012
Interview with Anthony Franze, author of The Last Justice, a Political Thriller

Are your characters bits and pieces of people you’ve worked with?
None resemble anyone I’ve ever met. And given that virtually every character in the book is corrupt or, at minimum, deeply flawed, that’s probably a good thing. Lawyers often get a bad rap, but the attorneys I know are dedicated, hard-working, and moral professionals. In other words, they would make terribly boring characters in a legal thriller.
How do you make the break from writing legal briefs to fiction? The switch isn’t as difficult as you might think. Whether it is legal writing or fiction, my goal as a writer is the same: compose clear, brisk prose, and paint a picture in the reader’s mind using as few words as possible. Beyond that, it helps that I have a clear dividing line when I shift from legal to fiction writing: legal writing during the work day (though it does often bleed into night); fiction after 11pm. Conveniently, I’ve found my fiction prose flows best late at night.
What made you decide to write a novel?
I’ve always used fiction as a creative outlet. Once I developed the idea for the opening scene in The Last Justice, the novel just took off from there.
How have your peers reacted to your writing about the justice system?
My colleagues have been incredibly supportive, and I’ve also received several nice notes and kind words from lawyers, law professors, judges, and others in the legal community. Despite the book’s dark premise -- the assassination of Supreme Court justices -- members of the legal community, like most people, love a good read. Some of the most meaningful feedback has come from those who appreciated the accuracy of the law, procedures, and history I weaved into the story.
As you’ve written articles for legal publications, did any of these past editors help you in your quest for a publisher? How long did it take before you found a publisher that wanted to take on your book?
As you mention, I’ve published a number of academic articles, but none of my past editors had backgrounds in fiction, so I did not seek out their assistance for my novel. I sent some manuscripts directly to a few publishers and also followed a familiar path: query letters to agents, rejection letters from agents (lots), and finally having an agent take an interest in the book. It is all a haze now, but the entire process took years.
Did you hire an editor before you sent out your manuscript or did you just self-edit?
Before submitting the book I followed the advice I used to give my students when I taught legal writing (borrowed from Making Your Case, a must-read book on writing and persuasion for lawyers): “Sit down and write. Then revise. Then revise again. Finally, revise.”
What has frustrated you the most in the publishing process? My biggest frustration with the publishing process is the long period of time it takes to get into print.
What have you found the most rewarding – outside of seeing your book in print?
The most rewarding part, so far, has been hearing from readers about the book, and the warm reception and support I’ve received from other thriller writers.
What surprised you the most about the publishing process?
The most surprising thing, for me, has been the author’s role in promotion. For instance, when I was writing The Last Justice, I had no idea I’d even need an author website, much less all of the promotional events required of new authors.
With your work, how do you find time to promote your book?
Finding time to promote the book given my busy law practice continues to be a struggle, but I’m muddling through. I keep telling myself that I managed to write the book while maintaining my practice, so I have to apply the same dedication and stamina to ensuring The Last Justice gets read.
I understand you are a member of the International Thriller Writers. What have you learned from this organization in either helping you with your writing or marketing?
Joining International Thriller Writers was one of the best decisions I’ve made as a new author. From its Mentor Program where I’ve received advice from veteran thriller writers, to its Debut Authors Program where I’ve had the support of writers experiencing the same new adventure, to the organization’s leaders who have provided platforms to promote my book, ITW has been amazing. I can’t list everything I’ve learned from ITW since I learn something new daily. It is a great organization.
I understand you are also working on a non-fiction book on the Supreme Court. What exactly will that cover? Could you give me a short synopsis?
I am collaborating with one of my colleagues in Arnold & Porter’s Appellate and Supreme Court group as well as a statistician and a journalist to write what we hope will be the go-to resource on the high court. The book will take both an empirical and personal look at all of the key “players” at the high court from the litigants, to the Solicitor General, to the press, to the Justices themselves. That's all for today's interview. If you'd like to learn more about the author or buy his books, here's a link to do just that.
Sunday, April 1, 2012
Joy Comes in the Morning...or for this Month -- Everyday!
It's a new month, which means a new blog chain. Our topic this month is Joy and you can follow everyone's thoughts on it by clicking on the links to the right of this post. To start us off, I am including some memorable quotes on joy by those who have achieved fame.
Joy in looking and comprehending is nature's most beautiful gift.
Albert Einstein
Albert Einstein
Love to faults is always blind, always is to joy inclined. Lawless, winged, and unconfined, and breaks all chains from every mind.
William Shakespeare
Only those who have learned the power of sincere and selfless contribution experience life's deepest joy: true fulfillment.
Tony Robbins
I sometimes wonder whether all pleasures are not substitutes for joy.
C. S. Lewis
Service which is rendered without joy helps neither the servant nor the served. But all other pleasures and possessions pale into nothingness before service which is rendered in a spirit of joy.
Mahatma Gandhi
Tony Robbins
I sometimes wonder whether all pleasures are not substitutes for joy.
C. S. Lewis
Service which is rendered without joy helps neither the servant nor the served. But all other pleasures and possessions pale into nothingness before service which is rendered in a spirit of joy.
Mahatma Gandhi
Joy is a net of love by which you can catch souls.
Mother Teresa
Mother Teresa
The marvelous richness of human experience would lose something of rewarding joy if there were no limitations to overcome. The hilltop hour would not be half so wonderful if there were no dark valleys to traverse.
Helen Keller
Helen Keller
While the laughter of joy is in full harmony with our deeper life, the laughter of amusement should be kept apart from it. The danger is too great of thus learning to look at solemn things in a spirit of mockery, and to seek in them opportunities for exercising wit.
Lewis Carroll
Lewis Carroll
I will be filled with joy because of you. I will sing praises to your name, O Most High
Psalm 9:2 New Living Testament
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cw blog chain,
joy quotes
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