You’ve now published several books by large publishing
houses. What was the first thing that you wrote that got published?
My very first publication was a devotional compilation…and I
totally don’t remember the name of the book. I know my mother has it proudly
displayed on her book case, though!
When did you decide to start writing a novel?
My initial desire as a writer was to have a column in a
Christian magazine, taking on family topics, etc. Then I learned I’d never have
a column if I didn’t have a history as an article writer. Well, free-lance
article writing is way too complicated for me! Deadlines and queries and
follow-ups and such. No, no.
When I won a copy of Eve’s Daughters by Lynn
Austin at a writers conference. I’d never read a Christian novel before, and I
knew halfway in that I wanted to pursue writing Christian fiction. I had no
idea such a thing existed. I started my first novel, Ten Thousand Charms, and
had an editor request it the following year.
Unfortunately, my confidence
didn’t match his, and it would be 3 more years before I would finally finish
writing it. I’m so glad Rod Morris (now at Harvest House, but then with
Multnomah) didn’t give up on me!
You now speak at conferences, but what encouraged you most
about being an attendee at a conference? Is there any one person you met who
really inspired you to write?
Oh, my goodness. Rod Morris, as I mentioned earlier, was a huge
source of encouragement. And James Scott Bell. I remember weeping with him at a
breakfast table, and his pep talk to me is now featured in The Art of War for
Writers. (I’m the “young woman” referenced on page 50.) And then, of course, my
agent, Bill Jensen, who is such a risk taker! He’s signed some very exciting
new writers, and I really think we’re in for a beautiful new wave in CBA
fiction!
What advice do you have for someone who is
attending their first conference?
I think the best advice for someone attending a conference
for the first time is this: listen. Don’t be afraid to sit on your comment or
question in a presentation—you don’t want to be the person who gets the
conversation off-track. Wait until the end, and if you issue hasn’t been
addressed, follow up with an email to the presenter after the conference. I
know that sounds harsh (and, you know me…I’m a pretty blunt person!), but I
honestly believe in the power of absorption.
Listen close, and you’ll hear the
Holy Spirit filling in those silent places, showing you exactly where this
information fits into the plans the Lord has for you.If you’ve submitted your work for a critique, listen. You’ve
paid for this advice, listen to it. Now, listen doesn’t mean heed, necessarily.
But don’t waste time arguing and defending. Listen, absorb, apply what works
for you and toss what doesn’t.
You write Christian themed historical romance. How would you
describe that genre?
Of my nine novels, I only have a couple (Ten Thousand
Charms, Lilies in Moonlight, and my fall release All for a Story) that are
technically romances, meaning, the establishing and growing the romantic
relationship between the two lead characters is the main focus of the
story—taking them from strangers to Happily Ever After, and so on. I’m much
more drawn to the historical element, and a woman’s place within that time
period.
Is there any specific time frame you like to write about?
Not really. In my first series, The Crossroads of Grace
books (Multnomah), I had these women in my head, and I had to decide which
would be the best setting for their story. Then, I latch on to things…I went on
a historical baseball binge, and realized there were no books featuring
baseball players, and set out to fix that. The third book in that series, Lilies
in Moonlight made me fall in love with the 20’s, and launched the idea for my
current series. Tyndale approached me about writing a novel set in the early
Mormon church, and Camilla and Nathan Fox (from For Time and Eternity) were
born.
What type of research do you do for these stories?
It varies. I did get to go to Salt Lake City for a week
to do my Mormon research, and wandering among the Pioneer Women’s museum was
heartbreaking and enlightening. But, I’ve found so much available online. I
took a lovely virtual tour of the hotel featured in All for a Song. I’ve
stumbled upon travel blogs that give me great ideas for details. Now that I’m
working largely in the 20th century, I love looking at vintage advertising to
get a feel for what these people saw in the most ordinary of circumstances. I
like ordinary, real, private sources. Letters, journals, yearbooks—real people,
never realizing they would ever be a part of history.
Tell me a specific book you've used?
I bought a 1912
math book for $3 in a basement used book store. That kid—she never knew how it
would be featured a century later in a novel about a girl her own age sent to
prison for… well, that book’s coming out next year!
How long does it take you to write a book today as opposed
to your first novel?
The first novel took years, because I had no deadline. I
sold it as an unfinished manuscript, though, and had to write like the Dickens
to get it done! Which, I have to say, pretty much sums up my writing style now.
My contracts usually allow about 8 months. And I need every minute of every
day.
How many times do you rewrite a chapter or do a full edit?
I never rewrite a chapter until an editor tells me to. Part
of why I’m a slow writer is because I totally don’t subscribe to that notion of
getting it down and going back to make it pretty. I agonize over sentences.
I’ll write half a page in half a minute and then spend 20 minutes on a line of
dialogue. I wait for the perfect word to come.
When I do my edit before turning
it in, I clean it up, of course…looking for repetition (usually missing it…),
or discovering gaps I need to fill in. Inconsistencies, things like that. I
add, but I don’t change or delete much. I don’t trust myself. I’d never declare
it finished. I’ve been blessed with the best editors who will say, “um…you need
to cut this” or “hey! Let’s add a scene where…” and I’ll go along with what
they say, with a heart full of gratitude.
How long does it take for a writer to write
exclusively and not hold down a second job?
That depends entirely upon how attached they are to a roof
and food. Seriously, if you’re talking about “writing exclusively,” that can’t
really mean writing your fiction exclusively. It would mean writing articles
and blog posts for a paying market to not only supplement your income, but to
constantly grow an audience. In the
world of traditional publishing, advances are getting smaller and royalties are
getting rarer. With self-publishing, you’ve got to be prepared to be a
professional marketer to move your books either off the shelves or onto
e-readers.
The thing with writing? It’s not always dependable. Like, I’ve had
great ideas that I loved and my agent loved and my editor loved…but someone in
Sales, not so much. So, months after writing my proposal and tentatively
planning the luxuries I would buy with the advance (Nutella, a fancy spiral,
maybe socks…), I find out it’s not a go. Or, you write a couple of books that
are fabulous enough to be finalists for CBA’s highest award, yet they don’t
sell through.
Bottom line: you cannot, cannot go into this business
thinking that your reward will be of the monetary world. This is something you do
to glorify God in the way that He has gifted you. You trust Him to meet your
needs, and He will not fail you. However, His way of meeting your needs might
be by getting you that part-time job at Panera Bread. Which would be awesome.
How much does social media play in your promotion of your
books?
Oof! I. am. the. worst. As
my publicist will no doubt testify. Don’t get me wrong, I’m all over facebook
letting the whole world know what I’m making for dinner, or what my cat just
did, or what people should and shouldn’t do with their money or their bodies or
their time…but then it’s like, “Oh, yeah…Hey! Buy my book!” I have wonderful
friends who are such strong supporters and promoters for my books, and I
cherish them!! I really can’t think of anyone worse to give advice in this
area. Let me just say, follow Michael Hyatt on twitter. @MichaelHyatt
Seriously. It’s everything you need to know!
What do you know now about writing, that you wished you had known sooner?
Wow… that is a fabulous question. I think for me, it comes
down to the fact that, since I had a relatively easy time selling my first
novel, I figured everything after that would be just fine. Like, if I wanted to
write it, then somebody would want to publish it. Every rejection I’ve ever had
came after my first sale. So, I wish I’d had a more realistic outlook, maybe? I
also wish I’d had a better handle on passive voice. And, I wish I hadn’t used
the character name “Delano”
on my least-read book.
What is the best advice you’re been given about writing?
What is the best advice you’re been given about writing?
It comes back to that conversation with James Scott Bell. He
illustrated the writing industry like a pyramid. At the base is every “Wannabe”
writer out there—those that think that maybe, someday, they might sit
themselves down and try to write a story. At the tippity-top is the person who,
like your earlier question, makes a living by writing. A.K.A. Max Lucado. “Your
job…is to keep moving up the pyramid. Each level presents its own challenges,
so concentrate on the ones right in front of you. As you move up, you’ll notice
there are fewer people, not more.” (James Scott Bell, The Art of War for
Writers, Writer’s Digest Books, 2009).
I think that Christian writers need to write out of a sense
of obedience. God has given you a voice and a story and the means to put them
together. The act of writing is a miracle. Practice it.
Great words from Allison on her life and inspiration as a writer! I personally know her from one of the writing groups where I am a member. If you are not a member of a writing/critique group, find one. It's a great way to interact with other writers and improve your writing.
To learn more about Allison and her writing, here are two links...
http://www.allisonpittman.com/ http://apittman-crossroads.blogspot.com/
I have enjoyed your interview, Allison, thanks for sharing. I began to wonder what male Christian fiction writers are out there...I haven't read much Christian fiction, though my wife has. I will have to investigate, as a male pursuing writing, what might be out there written by men. Thanks,
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There are many male Christian writers from contemporary fiction to historical fiction. Big names in contemporary would be Jerry Jenkins and Tim LaHaye who co-wrote the "Left Behind" series and have since done other works independently. Joel Rosenberg writes thrillers based on the Ezekiel and Daniel prophecies and E.G. Lewis writes some wonderful historical fiction based around the early years of Christianity.
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