You have a highly analytical background that deals with business
management. How did you make the jump from the business field to the
more creative side of writing fiction?
Well, I have enjoyed writing
ever since I was a teenager. Up through University and my early career, I
did a lot of creative writing -- mainly poetry and a few short stories.
In my work career, the writing has perhaps not been as “creative."
When developing and delivering training courses, I looked for ways to
make the material more relevant and accessible to the participants. This
included telling anecdotes (stories) during training sessions which supported
the delivery. Response from the participants was very good; it seems no
matter how old or young you are, everyone likes a good story, whether
it is fiction or an experience-based anecdote.
The jump from business
to fiction was not as big a leap as I thought it might be -
particularly as The Ultimate Tree House Project is a series of core
lessons woven into a fun, full-length children’s story. So I guess you
might call it “instructional fiction”.
What inspired you to do this instructional fiction for kids?
The inspiration for this book
comes from several sources. My wife had been bugging me for years to
write a children’s book because I have been making up silly songs and
bedtime stories for my children for a while now.
The other inspiration,
or challenge really, came from a conversation at a project management
conference last year. I was telling them about my first book, Gazza’s
Guide to Practical Project Management, which uses anecdotes and stories
to teach specific topic lessons. They were intrigued by the idea and
then suggested that my second book should be a children’s book -
teaching basic project management concepts for children aged 8-11, as
there was really nothing much in this space and they were looking for
something to support schools at this level.
It was an interesting
idea - and quite a daunting challenge, really - as I had decided to
first and foremost make it a fun, readable story, but still convey
important concepts.
Prior to writing your children’s book did you do any other fiction writing?
I
did a lot of writing in my early years - and then took a long break
from poetry or fiction. I always wanted to write a book - but the
problem was that I was not sure what would be interesting enough to
write a book about. I started writing some sci-fi stories back in
university but I didn’t have the confidence or skill at the time to
carry it through. Looking back, they were pretty horrible, actually.
How long did it take you to write the first book?
In
April 2012 I started writing my first book (Gazza’s Guide to Practical
Project Management) - but it was primarily based on my personal
experience, so it was not fiction at all. That one was published in
September 2012 and the actual writing and editing took about 4 months.
I
started the children’s book (The Ultimate Tree House Project) in
November 2012 and wrote like crazy for two weeks or so with lots of
changes and edits based on daily feedback from my 9 and 10 year old boys
…and then I changed jobs, things got really busy and I did not pick it
up again until February this year.
I finished writing the rest of
the book in the last half of February because I suddenly found that I
had a hard deadline to get it finished.
I had pitched the book concept
to a group of Project Managers as part of a Pecha-Kucha presentation
session in early February and they loved it! I was asked if I could be
ready to launch the book at the inaugural PMI Australia conference in
Sydney at the beginning of May. After checking the schedule with my
illustrator, I started writing the rest of the book on the flight back
up from the board meeting - and wrote The Accident chapter at 30,000
feet.
The full draft was finished by the end of February and the
editing/proofreading and the artwork were all finished before the end of
March. So actual writing time - about a month or so. It was an intense
effort - but it all came together and the book arrived in time for the
launch, which was very successful. Whew!
How many rewrites did you do on it?
I did extensive rewriting of the first 4-5 chapters during the first few weeks. The
last time I had attempted writing story dialogue was in 1988, and as I
said before, it was a horrible result. I was not really sure I could do
it. I also wanted to make sure that the story was set at the correct
level of language and flowed well for my target audience (children aged
8-11).
My 9 and 10 year old sons, Daniel and Liam, were the perfect
review team. They were really tough on me, which they not-so-secretly
enjoyed, but the result was very good. The very first night I read to
them I had a draft of the first 2 ½ chapters. They kept interrupting me
with helpful criticisms like “You can’t start the adventure in the first
chapter, Dad - you have to introduce the characters more first!” So I
listened closely and followed their advice. I rewrote the first 4-5
chapters several times until my kids felt I got it “right”.
Who helped you with the editing?
Editing
happened in several stages. After I had the basics down with my
children and had the first 8-9 “good” chapter drafts written, I asked
their teachers at school to review what I had written so far, to give
feedback on structure, language reading levels, general concepts, and
suitability for classroom vs. independent reading. They gave me some
very constructive feedback that I used to go back and edit what I had
written before I wrote further chapters.
After that - I asked family
and a work colleague to proof-read it and mark it up. What they found
for edits were generally minor - nothing that required any extensive
rewriting. They did catch some typos and grammar of course, and also
some inconsistencies between earlier and later chapters that I had
missed.
Have other books been started and stopped along the way?
Since
I started the first book, I have progressed with one book at a time. I
have a few ideas for other books that I have been bouncing around in my
head but I have not actually started writing them yet, other than the
next children’s book in the series.
How did you go about trying to find a publisher?
With
my first book, I decided to self-publish because a colleague had
recently done it. So I self-published Gazza’s Guide to see how the
process worked, and I was not as concerned about trying to sell
thousands (or millions!) of books. I wrote the book to help people, so
if I was successful in that for even a few people, I would consider the
experiment a success. I was really focused on the quality of the content
and the writing - and frankly, I wanted to see if I could do it and do a
good job of it.
With the children’s book, I thought long and hard
about the traditional publishing route, but as this book is also in a
bit of a unique niche, I was not sure that many traditional publishers
would see where it fit. From the conversation I had in October there was
definitely a need for this type of book - and there was literally
nothing out there in this particular segment - “project management
concepts for primary/middle school kids” - so I started out with knowing
there was a potential market that was largely untapped. I made the
decision to self-publish again, to get the book out there and start
promoting it. So far, everyone who has read it loves the book and the
concept - and kids love the story too.
How do you write?
In
terms of the actual writing, I tend to internally verbalize the words
as I write - I find this to be the same both for work and personal
writing. I think this helps with the flow and grammar - if something
does not seem quite right when I am typing it, I will repeat the
sentence or paragraph aloud and rework it in my head until it flows. I
write mostly at night, when the kids are in bed and it is quiet - but
when inspired I can write at any time of day depending what else is
going on.
When I was finishing up The Ultimate Tree House Project
draft, I had my iPad with me all the time and I was adding in sections
in the morning before work, at lunch and on my breaks - and then again
in the evening. By the time February came round, the rest of the story
had been sitting in my head for several months waiting to be typed out,
and I could literally not type it out fast enough.
Did you do an outline first?
Absolutely.
I find that this works extremely well for any type of writing - work or
personal. When you have the basic outline flushed out - headings, some
details, filling in the rest of the detail comes relatively easily.
Did you do individual character development before doing the full plot?
I
had the outline for the book in place, an idea of what characters I
needed (four boys, four girls), but I started character development on
the fly in consultation with my 9 and 10 year olds as I wrote the first
drafts. I wanted to make sure the kids were believable and likeable (and
a few appropriately annoying), so their input was invaluable. They
tossed out a bunch of potential character names, too.
The characters
developed as the story grew. Interestingly, about two-thirds of the way through
the book, I found that the characters imposed limits on the writing -
“Amanda would not say that” type of thing - I found that their “voices”
directed me to write some sections quite differently than I had
originally planned.
Since you already have experience in
speaking to business groups, are you now doing talks to children’s
groups to promote your book?
I have not started speaking to many
children’s groups yet, but that is in the works. As I wrote the book, I
did readings for my Cub group, who are in this age range as a “test
market”.
My schedule has been quite hectic since the book was
published - but I am looking forward to having some more time to speak
with other groups. I have also been asked if I could do some workshops
around the book concept and structure it for teachers, so I will be
looking at developing something for that too.
What type of promotion has worked best for you so far in generating sales?
I
setup the website early, did some social media promotion and advance
giveaways, but so far the most effective method has been the personal
touch. Everyone I have spoken to loves the concept, and many have read
the book and rave about it - and they are actively promoting it in their
circles. Visibility is key, I suppose - and word-of-mouth is a powerful
way to make it happen.
To date, hundreds have heard about the book in
Australia, New Zealand, USA, UK and now in Europe - so that is a good
way to get the word out. I will augment this approach with social
media, testing as I go to see what channels and methods will be most
effective for this type of book. Goodreads is a good place to start, of
course - that is how you found the book.
What do you know now about writing/publishing now that you wished you had known sooner?
Well,
I guess I wish I had known I could actually write good dialogue a lot
sooner than now. I may have actually started writing more seriously a
number of years ago if I had that confidence. To be fair, I think
the timing actually worked out just right - I finally had the topic to
write about, the writing skills, experience and the ability to give it a
go with self-publishing. Could I have published earlier? Maybe, maybe
not.
What is the best advice you’ve been given about writing you would like to pass along?
1.
Read, read, read. If you want to write well - read a lot of different
authors in a variety of genres. I read mostly sci-fi and fantasy through
my childhood and early adult years - but I have expanded into other
genre since then, and I think that has helped me a lot with rounding out
my writing.
2. Don’t let people tell you what to write or how to
write it. Let them review it, edit it and make corrections after you
have written it - but it is your story. Write it the way you feel you
need to. Of course, you might write some horrible stuff along the way
and never get it published - but your writing is part of you. If you let
someone else tell you what to write - it is not really yours anymore.
Do, however, be open and listen to your editors when they suggest
constructive changes.
3. Write about things you are passionate about.
I love to teach people and share lessons through stories; and this has
been reflected in my books, as well as my blog and podcast.
4. Have
fun. Both books have been very fun for me to write; I probably would
have stopped writing them if I was not having fun doing it.
5. If
you plan to self-publish, write a good, well-written piece of work, and
have it edited and thoroughly proofread. There is a lot of junk out
there - make sure yours is not one of them.
You have another book for children in the works. Could you tell me a little bit about that?
The
second book of the Project Kids Adventures series is titled “The
Scariest Haunted House Project - Ever!” This book continues with the
same eight central characters from The Ultimate Tree House Project, and
will add a few more in the mix along with some other challenges.
Here's a summary... The
Project Kids are back at school after a long summer of enjoying their
Ultimate Tree House. Amanda, Becky and Susan are now in A.J Wilkins
Middle School, which is just next door to their old Primary school. This
year, the principals of both schools have decided to hold a joint
Halloween contest – to see which groups of children from both schools
can make the best Halloween display. The eight Project Kids – Becky,
Alice, Amanda, Susan, Ben, James, Tim & Tom embark on their bravest
adventure yet – to come up with the Scariest Haunted House – ever. The
kids get started on the project and learn that it is not just Haunted
Houses that can be scary!
The Haunted House book will be out later in 2013.
Do you think you will now be devoting more time to writing for children? Or is this just a break in writing style for you?
I
have some other ideas for adult-level books that may fit in the mix
somewhere, but the children’s series will likely be the focus for a
while. My in-house experts are aging every day, and I need to keep up!
Someday, maybe, I may finally write a sci-fi novel. I may even dust off
that horrible draft - it had a few interesting ideas in it that I might
just be able to salvage. Maybe.
If you would like to buy his books, instead of reading about them, here are some links that you direct you along the way.
Amazon Kobo Gary'sWebsite Blog Project Kids
As a retired former fifth-grade teacher, THIS BOOK SOUNDS EXCITING. Years ago when I was teaching I could have used something like this. I plan to recommend this to our current teachers at that level. This is great Gary!
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