Developing
video games takes a variety of people with specialized talents: artists,
engineers, animators, musicians, business-people, quality assurance, sometimes
mathematicians, statisticians, economists, and of course writers and designers.
Design falls into a few categories including system design and content
design. System design focuses on what the player can do. Content
design focuses on who and where the player is.
I've been
blessed to participate in every role other than the business end of things, but
my favorite is content design. That includes writing dialogue (the most
obvious impact a writer has on a game), but also developing the back story that
feeds the overall vision and theme of the game and the character development
that will make people care about the worlds you're building and the
stories you're telling in them. The ultimate goal is to take the player
through a character arc of their own. Games normally simplify and
objectify complex systems in the process of turning them into a game.
It's the writer's job to bring back nuance and depth and to help the
player make the leap from a game experience to a new insight on the human
condition.
This story began from an unfinished
work by your grandfather. How many rewrites did you do on it? Did anyone help
you with the editing?
The
manuscript from my grandfather is part of the fiction. I've always enjoyed
stories that have blurry boundaries between fantasy and reality, so I took
the opportunity to explore that myself with this novel. I wrote Sir Thomas the Hesitant and the Table of Less Valued Knights in fits and spurts over ten years
largely between the hours of 5 and 7 am.
I revisited significant portions seven times, but there were three
main drafts with reader input before I started the final edit. A talented
friend offered me story editing after the first draft, and I paid for copy
editing after the third draft.
Your book has been on Amazon's Top
100 Bestselling Paid Kindle books in the category of Arthurian Fantasy. To what
do you attribute that success?
My only
goal was to write a story I would be happy to say I wrote. I want
people who read it to finish the book feeling satisfied and hopeful
about life in our world where people often just seem to have gone mad. I
educated myself as much as I could on writing interesting marketing blurbs, but
I also wanted to make sure people who bought the book had a good idea of what
they were in for.
I've kept
the Kindle price on the high end of average so that I know people who buy it
have thought about whether they will like it. That's resulted in better
quality reviews which lend credibility to me and my book. I'm really
focusing on establishing my reputation and credibility with this first book.
The only consistent marketing I've done are Goodreads giveaways (which
generally result in about 150 additions to people's to-read shelves).
The
truth is though that you can be an Amazon bestselling author and still starve
to death, and my income comes from my work as a game developer. My dream
is to get two more books out and then transition to full-time writing.
How much does social media play in
your promotion of your books? What type of publicity do you do to promote your
book? What has worked best for you in generating sales?
Besides
face-to-face, social media has been my only means of self-promotion. I'm
not a natural Twitterer, but just being present there has resulted in some
sales. I understand Facebook the best, but it's strength for me has been
in retaining existing readers and not so much in generating new. I
haven't been able to blog consistently, but it's been useful for generating
spikes of interest. Goodreads has been the most successful means to help
people discover my book. I think that's all okay - writers will each have
their own comfort level with each platform. Use any or all of them.
I like to
focus on what's worked for me with each one and use them all in parallel for
different purposes. The most interesting one to me right now is
Pinterest. I post categories of images that have to do with elements of
my book and Arthurian fantasy: knights, wizards, interesting settings, etc.
Pinterest seems like it could work well for both discovery and retention.
This first launch is a learning experience. I'll have more of a
marketing strategy for the next one.
Did you do your own book trailer?
What importance do you think it plays in your book promotion?
I did do
my own book trailer. I wouldn't recommend it. I used a 30-day trial
version of Adobe After Effects and relied on my experience as a technical
artist. It's gotten some views and a few likes, but I don't know of a
single person who bought my book who wouldn't have bought it without a trailer.
The only people who consistently comment on the trailer are other authors
wondering if they should do a trailer. It seems to me that a GREAT
trailer is worthwhile. Anything less is more likely to endanger sales.
Your book is published through
Amazon digital services. When did you decide to
indie-publish?
I sat on
my book for a year trying to find the motivation to go the traditional route.
I'd read a book by a literary agent about how to (and why one should)
approach agents, but the statistics he gave were just miserable: Most authors
will spend 9 months trying to find an agent and fail. If they find an
agent, the agent will spend 9 months trying to find a publisher and fail.
If they find a publisher, it will take 9 months for the book to get to
shelves where the book will sell 2,000 copies, be considered a failure, and
never be published again.
So when I
discovered I could just finish my novel myself and get it into people's hands
through Amazon in both print-on-demand and digital (and keep it there as long
as I wanted!), I decided to just go for it. I'd enjoy working with an
agent and publisher, but I'd like to go into that from a position of strength
and knowing clearly what I want from the relationship. I want to put
together a team that works collaboratively - I don't want to just wind up
working for a publisher.
What do you know now about
writing/publishing now that you wished you had known sooner?
I would
have spent a year or so before publishing doing some community building,
helping other authors, and generally just getting to know people. It's
never too early to start helping people discover you and your book. If I
had done those things, I might have had enough of a spike when I launched my
book to spend a few months writing book #2, and I would be that much closer to
full-time writing. That said, it's been a tremendous learning experience
- every bit of it. Everything about book #2 will be easier (and better)
having done all of this myself once.
Is this a stand alone book or are
you planning a sequel or prequel for any of your characters?
I want to
write at least 2 more books about the characters in Sir Thomas. I have
lots of ideas for other stories and characters set in that world as well.
I have two other series in mind, but I'd be happy to write stories about
the Less Valued Knights for the rest of my life. I really enjoy what
Frank Beddor has done his work based on Alice
in Wonderland. Readers who enjoy the kind of revisit to Camelot that I'm
doing might also enjoy his work. He's much further down the road than I
am, so there's a great deal to explore there as well.
I've benefited from so much wisdom from so many people that it's hard to choose
even just a few things. When I first set about writing, I read two books
by two famous authors. The first author's story was mainly about how he
was in the right place at the right time. I found this book useless.
The second book was On Writing by Stephen King. The advice I took
from his book was exactly what I needed to hear at the time. It was
essentially this: "What are you doing? Go write."
For anyone who'd like to know more about Liam and his current book, you can find out more at lessvaluedknights.com liamperrin.com. www.facebook.com/authorliamperrin
Great interview.
ReplyDeleteThanks for stopping by!! Glad you enjoyed reading it.
DeleteGreat interview!
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