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Showing posts with label Christine L. Henderson – author.. Show all posts
Showing posts with label Christine L. Henderson – author.. Show all posts

Friday, February 18, 2022

Around the Web: Best Posts on Writing I've Discovered This Week


I subscribe to and follow several authors, blogs, and writing sources throughout the week.

Each Friday, I include links to FIVE sources to improve your writing that I found of great help. Here are my offerings for this week. 

Hope they inspire you to start writing and to continue to write!


I’ve been published in Chicken Soup for the Soul and I’ve enjoyed reading the stories written by others. If you haven’t read the books, here’s how you can read some stories for FREE: https://www.chickensoup.com/stories And maybe you’ll be inspired to write and submit one or two of your own!

I watched an interview with Harold Ramis who wrote Groundhog Day – which is one of my favorite movies. He spoke about the universal appeal of the movie for people of different faiths or no faith at all. He said the movie grabbed at their hearts. Isn’t that what we want to give our readers? Something that will keep them reading and recalling the story even after it’s done. Here’s a post that talks about touching the emotions of your readers. Think about that as you read it. https://www.livewritethrive.com/2022/02/14/how-writers-can-mine-emotions-with-music/

Do you write poetry? Could you write poems that are Texas themed? You can submit up to 3 poems for the Texas Poetry Calendar. Deadline is March 15, 2022. Entry fee is $3 per poem and if selected for the publication, you’ll be paid $25. Here’s the link for more information. https://www.livewritethrive.com/2022/02/14/how-writers-can-mine-emotions-with-music/

If you write mysteries or YA novels, this publisher might be a fit for you. This link describes some of their current call outs for stories and submission guidelines for other genres as well. https://authorspublish.com/quirk-books-now-accepting-manuscript-queries/

You know the importance of having an outside source edit your book, but do you know how to go about choosing the right editor. This post lists the questions to ask an editor before you decide to sign a contract with them. https://prowritingaid.com/editor-red-flags


Tuesday, June 29, 2021

Write What You Love: Author Interview with Lauren K. Denton

Today's interview is with is with a USA Today, Wall Street Journal, and Amazon Charts bestselling author whose stories tell of 
Southern grit, grace, humor, hope, and love. So, sit back and relax to read her writing journey.  

Your first book published was actually the second novel you completed. What did you learn from writing that first book that helped you polish your second book to the point it was accepted by a major publishing house?
I think that first book taught me how much "stick-with-it-ness" is necessary to conceive of a novel then bring it all the way to "the end." Once I finished that first one, I knew I had the persistence and drive to do it again.

All five of your books have discussion guides. What is the process like in putting them together?
The questions usually come together as I'm going through the manuscript in the revision stage. As I'm rereading the story (usually after putting it to the side to "rest" for a little while), themes and discussion points jump out at me and I jot them down. I really like the process of thinking through what might give book clubs good jumping off points for discussion.

What is the hardest part of writing for you?
The middle is always the hardest part for me! I tend to start off with a bang, very excited about the characters and settings and conflicts I've dreamed up in my mind, but as soon as I get somewhere near the 30K word mark, things slow down and I start to wonder if the story is as good as I thought it was at the beginning. The middle is where I have to grin and bear it until I get closer to the end, when things start rolling again.

What does your editor remind you to do most often? 
It's usually about character motivation with her. She wants to make sure the reader understands why a character does a particular thing or acts in a certain way. After reading her comments, I often realize I knew why a character did what she did, but it didn't translate well from my mind to the page. I'm always thankful for such a keen-eyed editor!

What’s the best encouragement you’ve had in your writing? 
Receiving messages from readers who tell me my stories have gotten them through difficult situations always help me on the hard writing days. Remembering that my words, in some small way, have helped a few people.

What is the best writing advice you’ve received or could give? 
It's almost a cliche, but the idea of "write what you love" has always been helpful for me. It reminds me that I'm the first reader of my stories and in order to have the "stick-with-it-ness" necessary to complete the novel, I have to love the story I'm telling. If it's not a story I'd want to read if I were browsing a bookstore or library, then I don't need to write it.

One of the writing “rules” you mention on your website is to only send query letters on Tuesday! I’ve never heard that one before. Can you explain it?
Oh, I don't think it's a real rule. Or if it is, it's a silly one! I heard it once in passing, but I used it on my website as an example of a rule you definitely don't have to follow!

What is the next book coming out? Can you give me a short synopsis? 
My fifth novel, THE ONE YOU'RE WITH, comes out July 6! Nineteen years after a summer apart, with a family and established lives and careers, the past that Mac and Edie thought they left behind has come back to greet them. For the first time, constants in their lives are called into question: their roles as parents, their reputation as upstanding members of the community, and the very foundations of their marriage. As they wade through the upheaval in both their family and professional lives, they must each examine choices they made long ago and chart a new course for their future.

Sounds like an interesting plotline. If you'd like to learn more about Laura's books, you can connect with her here: https://linktr.ee/Laurenkdenton

Tuesday, March 23, 2021

If the Story Doesn't Excite You, Don't Write it! Author Interview with Ruth Hartzler

What made you decide to write your first novel?
My non-fiction agent talked me into it and had difficulty, as I had no intention of writing fiction at all. I finally agreed. As I was raised Brethren, I figured an Amish novel would be a good place to start as there are so many similarities between both cultures. That first series was started indie but was eventually published by Harlequin Love Inspired.

You’ve written three different series each in different genres from mystery to romance and suspense. What made you decide to try different series?
I have 1 cozy mystery series, 1 archeological adventure series, and 5 Amish Romance or Amish Romantic Suspense series. 

I wanted to write an archeological adventure series as my background is ancient literature, and Biblical history and archeology. I'm passionate about cozy mysteries and am a long-term Agatha Christie fan. I love to read locked door mysteries. I also love the Aurora Teagarden series and love watching all the Hallmark cozy mysteries.

Do you feel more comfortable in writing in one genre over another? 
I'm moving more into cozy mysteries now. I enjoy crafting mysteries that are also clean and wholesome, and where no animals or children are harmed. I can't bear to watch anything on TV where pets are threatened.

What made you decide to go the indie-publishing route?
My non-fiction was traditionally published under a pen name. When my agent suggested I write fiction, Kindle had just started. I was tired of the long, laborious traditional publishing route, so I decided to try indie with fiction.

What is the hardest part of writing for you? 
The hardest part of writing for me is starting for the day. Once I start, I get into the flow. I dictate, and that puts me into a mindset where everything flows to me. If I type, I get stuck.

What does your editor remind you to do most often?
When I type, to make sure I'm wearing my glasses!

What’s the best encouragement you’ve had in your writing?
I'm a twice USA Today Bestselling author, and my (secret) pen name is a several-times USA Today Bestselling author. I was thrilled when my cozy mystery box set, Amish Cupcake Cozy Mystery, hit #7 on the whole Amazon store last year.

What do you know now about writing that you wished you had known sooner?
I wish I had known to trust my instincts. I needed to believe in my ideas, because if I was interested in my stories, I knew there must be others who did too.

What other books do you have in the works?
I have started writing another cozy mystery series, which also has a naughty little cat. I enjoy writing about older sleuths.

What is the best advice you’ve been given about writing or that you’ve learned that you would like to pass along?
The best advice I have been given about writing is to have fun with it. If I'm not enjoying writing a scene, I'm certain that readers will not enjoy reading it. Conversely, if I'm excited to write a scene, I can be certain others will enjoy reading it. The one piece of advice I could give is to write a good story. Genre fiction is all about a good story, whereas literary fiction has other considerations.

Are there any other notes you’d like to add?
OrangeSky Audio has just published True Confections, Previous Confections, and Confection is Good for the Soul, the first three audiobooks in my Amish Cupcake Cozy Mystery series. They are available on all audio retailers.

Thank you for having me on your blog!


That's all for today's interview. If you'd like to learn more about any of Ruth's novels, here are some links to get you started.

Monday, March 8, 2021

A Writer's Journey: Author Interview with Jodi Thomas

Jodi Thomas is a bestselling author of over 50 novels and countless short story collections. Her stories travel through the past and present days of Texas and draw readers from around the world.

Her awards include five RITA’s, National Readers’ Choice Awards, Booksellers’ Best Awards, and she’s been inducted into the Romance Writers of America Hall of Fame. In addition, she has been named a Distinguished Alumni by Texas Tech University in Lubbock, Texas, Thomas also served as Writer in Residence at West Texas A&M University in Canyon, Texas.

So, tell me how it all began.

When I began my journey as a writer, I was surprised by the fact that it’s not just sitting in front of a computer to try and think up stories. Much of it is walking or driving across the land. Or exploring. I’m like the Indiana Jones of research.

My boys tease me about my fascination with what happened at any place in the past. When they were little, they would yell from the back of the van, “Why does this car have to stop at every historical marker in the world?”

When I moved into women’s fiction I thought I’d do less research. But I’m still wandering around looking for the spark.

For me, it’s like I’m an archeologist digging for my story. Over and over the location makes my story come alive. Sometimes it’s the weather or the people or the time in history.

Once I opened a book with an oil drill bit being tossed through a window. When I mentioned it at lunch one of my friends said she didn’t think it was possible to toss it from the street.

Next morning there were several rusty old drill bits thrown from the street and not one made it to my porch. So, research. My whole family went outside and started tossing drill bits across the yard.

There have been times in my life I’ve wondered why my neighbors didn’t vote me out of the neighborhood.

I just love how stories and plots get written. You never know what you'll discover when doing research. Now let's get an update on your latest book, PICNIC IN SOMEDAY VALLEY

I'm very happy 
PICNIC IN SOMEDAY VALLEY is finally coming out. I wrote it while it seemed like I was locked in my house, alone for months in 2020 and the only company was my imaginary friends. 😀

I found, as the story unfolded, that I put more of a mystery and lots more action. There were times the characters wouldn't let me sleep and I wrote all night long until my people were in a safe place.

Now, the world is starting to open up a little and my friends from the book will be stepping out April 27. I may still have to wear a mask, but they'll be going wild, with bar fights, running for their lives, and of course falling in love.

If you'd like to learn more about this book or her many others, here are a couple of links.

Tuesday, November 10, 2020

When You Love What You Do: Author Interview with Tonya Kappes

This post is the beginning of my posts celebrating Christmas in novels. From now till the end of the year, I'll be interviewing authors with Christmas reads to get you in the holiday spirit. So read on to learn more about Tonya's writing process and her upcoming book.

You’ve now written over 80 books. At the beginning, how many books did it take before you felt you could make writing a full-time career?

It wasn't the number of books. It was the income that I needed to make in order to quit my job as a child therapist so I could still have a roof over our heads and food on the table for a family of six.

How long does it take to write one of your books?

My word count from HarperCollins is 50k words. That's the total I've held to since I started. I write at least 4k words a day, five days a week. I can get a book written in about three weeks. After that I have an editing service I pay that does three rounds of edits. I also have one hundred people who read the novels before they go to publication.

What made you use a camper as a focal point for our stories?

I wanted to come up with a new cozy mystery with a different occupation for the sleuth. I didn't want to do the typical baking, yarn, etc. shop.

Now you use your camper for your writing. How do you have it set up as an office?

I use the kitchen table for my desk. If we aren't camping in our camper and it's sitting on our property, I go there every morning to write. I bring my laptop and all the things I need for that book with me and carry it back and forth.

When you’re stuck on a scene or a plot point, how do you get back on track?

I see that as a sign of the characters not going in the direction they want me to. I know that sound weird, but I can take a walk in my woods on our property or just around our pond and my juices get flowing again for me to continue the story.

What is the hardest part of writing for you?

Actually I love writing. I love all aspects of it.

What’s the best encouragement you’ve had in your writing?

Author Anne Perry bought my book and she told me, "You're going places."

How have you learned to write past writers rejection?

Honestly, I was rejected by the author community when I decided to self-publish so many years ago. They told me I was vain publishing. My success and determination was how I got past it.

What has surprised you the most in writing or publishing? 

I was pleasantly surprised at how much I love my job.

What frustrates you the most?

What frustrates me most is not enough time in the day to write more.

What do you know now about writing you wished you had known sooner?

The one thing I've said for the past couple of years was I'd not written so many series at once. I'd focus on one series and continued it until the readers no longer wanted to read it.

What is the best writing advice you’ve received or could give?

Write one series and focus on it.


What is the next book coming out? Can you give me a short synopsis?

The next book is Eggnog, Extortion, & Evergreen

Here are the details…Mae West is busy this Christmas season. She's running around Normal getting the town ready for the first Winter Festival, which she hopes will become an annual event for the tourist town.


The freshly fallen snow sure does make the Daniel Boone National Park beautiful and ready for Santa's arrival, but it also makes the curvy roads through the forest very slick. Unfortunately, Mae finds out just how slick the roads are after her car slides off the road and hits a tree, putting Mae into a deep coma.

Mae starts having memories about the fire that took her family and a memory of a murder plot that she thinks happened when she was in her coma. Only, she's having a hard time distinguishing between the two memories and the clues seem to have blurred lines. There's one thing she does know for sure, both incidents come with clues that neither were accidents.

Once again, Mae West with the help of the Laundry Club Ladies put on their amateur sleuth caps to help solve the mystery of the murders before the killer sends her a Christmas gift she can't return.

That does sound intriguing. If you'd like to learn more about Tonya and her books, here's the link to her website to get you started. https://tonyakappes.com/

Tuesday, July 14, 2020

Nuture Your Imagination: Author Interview with Kathleen Long Bostrom

My interview today is with an author who has published 50+ books, most of them for children. Her books are published in 20+ languages around the world, with well over one million copies sold since her first book was published in 2008.

Read on to discover what keeps her going and how she keeps her writing fresh. 


You’ve now published 51 books, which is an awesome accomplishment. What was your first book?
My first book was published in 1997. The World That God Made was the second book accepted for publication; the first was What is God Like? Tyndale House published both of them. I consider What is God Like my first book even though it came out a year after The World That God Made.

At that point how many finished manuscripts did you already have?
I have drawers full of manuscripts! I can’t remember how many I had done when my first book was accepted (after four years and 250 rejections, by the way!) but I know I had several because I was submitting many to different publishers at the same time.

A writer can’t just submit one manuscript and wait for that to be accepted for publication because it might never get there. So, I have lots of projects I’m working on at the same time, although I always focus on whatever manuscript is under contract until it is edited to the satisfaction of the editor.

At what point did you realize you could make writing kids’ books a full-time career?
I have been writing for 25 years, my books have sold several million copies in 20+ languages around the world. I retired from ministry six years ago to focus on being a fulltime writer and STILL do not make a living at it.

I’ve had some good years but have never made what I made as a pastor, even though pastors are notoriously underpaid. I would love to have an income that would be considered self-supporting, but fortunately, I don’t have to as my husband is still working as a pastor (we co-pastored for thirty years). I would consider it a great accomplishment to have a self-supporting income but mine is far below the poverty level.

How do you keep the writing fresh after so many books?
I never have trouble keeping the writing fresh. I love what I do, read lots of books, write what I love, and have a fabulous writing critique group that motivates and encourages me.

How did you go about finding your first publisher?
As far as publishers, I studied the market guides to see who was publishing what and what their guidelines were. Back in “those days,” before internet became so widespread, I had to buy the market guides in actual book form! It’s very important to find a publisher who publishes the genre of book you are writing, so I am still careful about publisher information, although I do have an agent who does a lot of that for me.

How did you go about signing with an agent?
I didn’t have an agent at first, I handled my own submissions, tracking, and ultimately, the contracts. After a few years, as I made connections with other published authors and others in the publishing industry, a friend suggested I submit a manuscript to his agent. She loved the book and took me on as a client although children’s books weren’t the agency’s main genre.

My first agent passed me along to her sister at the same agency, but when they decided to forgo children’s books altogether, I had to find a new agent. I reached out to a lovely woman whom I’d met at a writing conference where we’d hit it off, and she was my agent for years. After she retired, she kept me as a client for a while, then I was once again on my own.

I reached out this time to an agency where my third agent had worked for a number of years. They didn’t do much in children’s books, so it was a long shot, but good timing as they had just decided to do more in the children’s book field. That was four years ago and I’m still with this agent today.

I still attend conferences, writer’s events, and stay in touch with editors as best I can. I make contacts and share the information with my agent, and we work together. She sends out the queries but is open to my suggestions and has plenty of contacts herself.

Most Christian themed publishers do not take submissions from non-agented authors today. What tips do you have for finding an agent who works that market?
As far as finding an agent, that is really tough! I know many fabulous, published authors who struggle to find an agent who will take them on. It’s frustrating and sad and demeaning. I am fortunate to have an agent and I don’t take that for granted.

For those trying to find an agent, I think going to conferences, especially through SCBWI (The Society of Children’s Book Writers and Illustrators) is key. Find out what the agents are looking for and submit to them. One of the benefits of these fabulous conferences is that most of the staff are willing to allow a one-time submission from attendees, which opens lots of doors. But do everything you can -- conferences, queries, etc.

Some agents and editors post on Twitter about the kinds of manuscripts in which they’re interested, and even offer occasional opportunities for submission: things like Picture Book Pitch. It takes a ton of time to do all the homework, but part of the necessary business of being a published author.

When your picture book is produced by a traditional publisher you don’t get to choose the illustrator, but it seems like you have the same illustrator for many of your books. What’s it like working with Elena? Have you had any disagreements with her on her illustrated view of your words?
Tyndale House connected Elena and I for the Little Blessings books. She is wonderful, talented, kind, and I loved working with her. It’s been many years since we collaborated, but I hope that one day we can do so again. I didn’t have any problems with her, she’s a dream to work with. Although at that point in my career I didn’t get to make any suggestions on the art; and with her, I didn’t need to.

Dennis McKinsey illustrated my three “Dr. Seuss” style Bible stories and I would love to work with him again but can’t track him down. Guy Porfirio is the only other illustrator who has published more than one of my books. I loved his work on Papa’s Gift. He lives in Tucson where my in-laws lived so once when we were visiting, I got to meet him and we stayed in touch.

When Flyaway Books accepted The Worst Christmas Ever I asked if they had an idea for an illustrator and they asked if I had any suggestions. I jumped on the chance to suggest Guy, and one other illustrator I liked. They chose Guy, and he did another great job. We did a workshop together in Tucson in March 2019 a few months before the book was published, and that was great fun. I learned a lot about his technique for illustrating and found it fascinating! I hope we can work together again. Usually, the writer doesn’t get to suggest illustrators nor have much say, so I am fortunate.

What is the hardest part of writing for you?
The hardest part for me is choosing which of my many ideas should be my focus. I write a lot in rhyme, and it’s great fun, but a lot of work to do right. I have piles of manuscripts that need revision, folders of ideas that need to be fleshed out. Deadlines help me focus but getting to the point of having a book under contract only happens when I focus on one or at the most a few at a time.

Starting can be a problem, but I know from experience that I just need to get something down on the page. Then I have something concrete to work on, and I feel much less anxious.

What does your editor remind you to do most often?
My editors don’t really remind me to do anything. But I do respect when they have comments or suggestions on a manuscript. I enjoy working with editors who are hands-on. I appreciate the feedback, as I know the editor wants the book to be the best that it can be. We’re on the same team, Team Publish a Great Book!

What’s the best encouragement you’ve had in your writing?
My husband and kids are my greatest supporters, my personal fan club! They encouraged me early on when the kids were young and living at home and experienced the ups and downs of trying to get published. In the midst of four years of rejections, our youngest son asked Santa one year, “Please, could you just publish my mommy’s books?” To know he’d give up everything for what I was working so hard to accomplish is something I’ll never forget. All three kids and my husband kept me going in times when I wondered if I’d ever have a book published.

How you learned to write past rejection letters or no responses?
I’ve added many, many more rejections to the 250 I accumulated before my first book was accepted for publication so it’s difficult to pick out one. I’ve had to keep writing past all of them. Sometimes, an editor just doesn’t “get” my style, or likes books with themes or styles in which I don’t write. I have to keep being true to what I believe I’m supposed to write, and to write what brings me joy knowing that it will do so for others.

What has surprised or frustrated you the most in writing/publishing?
I never imagined the amount of time I would spend on the “business” of writing: correspondence, tax records, keeping track of what’s being reviewed and what’s been rejected; attending conferences (great fun!), connecting with agents and editors and other writers, publicizing my books, etc.

I can go for weeks without even working on a manuscript, yet I am busy with the business of being a writer. I thought that all I’d ever have to do was write. But that’s just not true. I do love the learning and the conferences and studying other books to know what’s already published. But I still love sitting down and writing the best.

What is the best writing advice you’ve received or could give?
Don’t just wait for inspiration. Sit down and face the empty page, or screen, and get some words out! “Butt in chair” is how Anne Lamott puts it. Inspiration often comes once the writer puts words on a page, even if the draft isn’t very good, it can be improved, but you’ll never get anywhere unless you start.

Are there any other points about writing you would like to add?
Read a lot. Write about what you love. Take time to dream, clear your mind with physical activity like long walks if you can. Much of writing for me is done while I’m swimming laps or walking the dog. Nurture your imagination. Fill your world with simple beauty. Be grateful. It’s a marvelous gift to be a writer and to love it even more as the years go by.

What is the next book coming out? Can you give me a short synopsis?
I have another board book not yet done and not under contract that is close to completion, I think! I’m writing it as a sequel to Will You Be Friends with Me? but also as a standalone. I’ll keep you posted!

If you’d like to learn more about the many, fabulous books Kathy has penned through the years, here’s how to do that.
Goodreads:  (FYI – your link from website isn’t working)

Tuesday, June 30, 2020

Don't Write the Parts Readers Skip: Author Interview with Lyn Cote


Like many authors, writing was Lyn’s second career after being a teacher and a mother. Her first book was published through Harlequin’s Love Inspired imprint when it started in 1997. She’s now published dozens of books and isn’t stopping.

You’ve written five different book series in the sweet romance category. What drew you to writing that genre?
I think each author writes the books she "feels."

How long did it take to write the first book?
I wrote my first novel on a clipboard chasing two toddlers--took me 3 years

How did you go about finding an agent/publisher?
I attended national writer's conferences. But though I still have an agent and could write for my last publisher, I have decided to write what I want and go indie.

In what ways has publishing changed for you in your 20+ years of writing?
Everything changed with the intro of the eReader. 

What is the hardest part of writing for you?
I really enjoy writing, but it is a challenge to make sure I give my readers a reason to read each page. I don't write the parts people skip.

We have all experienced rejection. How have you learned to write past it?
You have to have a thick skin. Fortunately, I have one. '-)

What has surprised you the most in your writing career?
It surprised me how little publishers give authors for all their hard work. And that has only worsened in the past decade.

What is the best writing advice you’ve received or could give?
Keep writing.

What is the next book coming out? Can you give me a short synopsis?
My next book, Fatal Winter, is a contemporary romantic suspense. 

In a small town where murder never happens, two people with a tragic history must work together to protect their families before another murder happens~

Bookstore owner, Sylvie Patterson has a dark past with Detective Ridge Matthews. And hidden pain over the long-ago tragedy that marked them both. But he’s only aware of part of her secret feelings. Because of the past, she knows she has no future with him.

Now Sylvie’s cousin, Ginger, returns home from Alaska from studying whales. She’s to write her Ph.D. dissertation from her research. The evening Ginger arrives home, she ends their last conversation with these cryptic words: Sylvie, I am going to wow you with a big surprise tomorrow! Finding Ginger lying dead at the foot of the stairs is not any surprise anyone would ever want. 

Ridge had come to town on a family matter. When he and Sylvie discover the body, as a state homicide detective, he’s ordered to stay and solve the murder. Murders don’t happen in small-town Winfield—and he can’t get a break on the case. He’d wanted to leave town almost immediately, but the case drags on. Break-ins and odd occurrences—most connected to Sylvie and her family—keep him in town, unable to get a break. More and more he’s forced into contact with Sylvie and more and more the barriers between them start to crumble. 

When Detective Matthews fails to discover any motive or solid clues for her cousin’s murder, Sylvie refuses to believe that she might be next. What if she’s wrong…

That’s all for today’s interview. If you’d like to learn more about Lyn’s writing, here are the links to discover all the different books she's published. 

Website: https://booksbylyncote.com/SWBS/

Tuesday, June 23, 2020

Embrace the Writing Process: Author Interview with Melanie Conklin


My interview today is with a middle-grade author whose first book won two awards --Bank Street Best Children’s Book and the International Literacy Association Teacher’s Choice Award. And she’s just published her second book. So, let’s move on and learn about her writing journey.

What made you decide to write a middle-grade geared novel?
The first novel-length project I attempted to write was from the point of view of a fourteen-year-old girl. At the time, I was reading a lot of young adult and middle-grade fiction. Once I finished my first draft of that trunk novel, it was clear that my voice was naturally suited to the blend of wonder and curiosity that you often find in middle-grade novels.

I stepped up my reading in the category and studied middle-grade voice closely for a long time before I wrote another novel so that I truly understood the dynamics in this specific niche of children’s literature.

How long did it take you to write your first book?
I am a relatively quick drafter, meaning I usually finish a draft in weeks rather than months, but I also have to revise many times. The writing process for Counting Thyme took about 3 years from start to on-sale date, and with Every Missing Piece, it took about two years. So, a bit faster the second time around.

Your first book, Counting Thyme (cute title!) deals with a couple of very stressful topics for kids. – moving and a sibling dealing with cancer. What made you zero in on these two issues?
At the time, I was reading a LOT of contemporary middle-grade fiction, and in many of those stories, the main character was dealing with a harrowing circumstance, such as a life-threatening illness. I had a moment where I wondered what it must be like to be the sibling of a gravely ill child. I have a sibling, and her presence factored into my childhood tremendously.

I imagined it would be a very complicated situation to have a sibling battling a deadly illness. I had some past experience raising funds for Cookies for Kids’ Cancer, so naturally I thought of neuroblastoma as the illness I wanted to portray in Counting Thyme. Most families have to move for treatments for neuroblastoma, so that became part of the plot, too.

How did you go about finding an agent/publisher?
I studied publishing for quite a while before I queried. I consider the two years I spent writing and reading every writing blog I could find as my personal MFA in children’s lit (though of course, with deep respect to all real MFAers!). I participated in some pitch contests, including one on twitter that got me some requests.

The trouble was, I wasn’t finished revising Counting Thyme at that moment, so I had to hurry to fulfill the requests. I also reached out to other agents who had been on my radar at that time and ended up signing with my first agent from my cold query.

What is the hardest part of writing for you?
The hardest is whichever part I’m at. When I’m drafting, I wish I was revising. When I’m revising, I wish I was drafting. When I’m in copy edits, I wish I never had to see my book again, lol!

What does your editor remind you to do most often?

My relationship with my editors has been more of a dialogue back and forth rather than a to-do list for me. I’ve worked with a few different editors at this point, due to business matters, and I can say the process of revising with an editor is equally challenging and rewarding.

Edit letters can be long and hard to digest, but where there is smoke, there is always fire. I find that my editors are usually spot-on about trouble areas. It’s up to me to figure out how to address those trouble areas in a satisfying manner. Finding answers isn’t always easy, but that is how a book becomes the best version of itself. Editorial feedback is worth its weight in gold.

What’s the best encouragement you’ve had in your writing?
This is a great question. We writers are always looking to improve, so it can be easy not to give ourselves credit for what we have achieved. I’ve been told my characters are very “real” and relatable, and for me that is the best praise. I always strive for honest portrayals that acknowledge the deep complexities of being human. It’s a joy to hear someone found that kind of experience in reading my work.

We have all experienced rejection. How have you learned to write past it?
I have experienced some harsh feedback at the editorial level, and in that moment, it was hard not to doubt myself as a writer. What I had to remember is while I may have written those words that needed a lot of fixing, I also wrote a bunch of words that made my editor want to publish my book. Criticism stings, but it is necessary.

What do you know now about writing you wished you had known sooner?
Your process is your process. The sooner you accept it, the sooner you can move forward. Sometimes I wish I could write a draft of a story without getting the plot wrong the first time, but that’s not my process.

My process is to write many drafts. Rather than get frustrated with myself, I try to remember it’s a gift to have a process I can rely on to get the work done, even if I wish my creative process was more efficient.

What is the best writing advice you’ve received or could give?
My best advice is to be kind to yourself. Embrace your process. Trust your gut. Risk failure and be prepared to accept it when it comes. But through all of it, be kind to yourself. Fill the well with great diverse reads. Celebrate every achievement and milestone. Give yourself the same time and patience that you would give anyone else.

You just released your second book.  Can you give my readers a short synopsis?
In my new book, Every Missing Piece, eleven-year-old Maddy Gaines has had her share of heartache. She lost her father in a tragic accident a few years prior, which has made her a bit more diligent about safety than her family and friends would sometimes like her to be. When Maddy encounters a strange new boy living in her neighborhood, she wonders if he could be the same child who went missing from another town six months earlier.

As she tries to uncover the truth, ghosts from her own past surface, her best friend starts to slip away, and Maddy's world tilts once again. Can she put the pieces of her life back together, even if some of them are lost forever?

Sounds like some good plot twists! If you'd like to learn more about Melanie's writing, here are some links to get you started. 

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Tuesday, May 26, 2020

From Art Galleries to Illustrated Kid's Books: An Interview with author/illustrator Sally Huss



You might be familiar with Sally Huss for her Happy Musings panels in newspapers or her work with American Greeting cards, but today we're going to talk about her kids' books.
Your background is in fine art and you even have your own galleries. What made you decide to branch out to illustrate and write kids picture books?
We had 26 Sally Huss Galleries across the country. When 9/11 hit, they all closed down. I had many little stories written, stashed away in a box. So with no gallery to paint for, I pulled the box out and started illustrating some of the stories and writing more.
Which came first -- writing and illustrating for greeting cards or your kids’ books?
The greeting cards were part of the list of licensed products I designed for -- clothing, baby bibs, wallpaper, purses, stationery, etc. I've always written books before illustrating them. Seems only natural.

For your kids’ books, who helped you polish your stories?
They tended to get polished as I illustrated them. They were kind of like little movies, one scene at a time.


As I’m not an artist, tell me how you make the change from writing with a paintbrush to using a keyboard? How do you blend colors on a computer like you would with watercolors or acrylics?
I am not versed in all of the Adobe programs. I just jumped in with Photoshop first, then added Illustrator. I was never trained to use these programs unfortunately.

My illustrations are very simple, probably would be more elaborate if I knew the programs. However, making simple, readable images seems to work for me and I can work very quickly. I do not bother blending colors, etc. Simple, strong colors make the points for my stories.

You previously published with traditional publishers. What made you do indie?
I published with a couple of traditional companies. However, when I started doing e-books traditional publishers were not interested. Besides, I had many stories I wanted to do, and a publisher only wanted to focus on one.

What has frustrated or surprised you the most in putting your books together?
I'm easy to please, so simple templates have worked for me. It's the story and the illustrations that I focused on, rather than fancy illustrating and formatting, etc. Perhaps if I knew or was schooled in all the tools available for a graphic artist, I'd use them. Simple works for me.

What advice would you give someone who wants to publish their own books?

First, don't give up your day job. Next, jump in and you'll learn by doing... like everything else.

What’s the next book coming out (or new art line) you’d like to share with my readers?
I just finished a charming book to go with POSITIVE PETE. This one is for girls, but not exclusively, called SELF-CONFIDENT SANDY.

Here's another point you might find interesting -- it's important to say exactly what the book is about in the title. There's no guess-work in these 2 titles. I have many books that just languish because no one knows what's in them. Their titles are appropriate for the book, but perhaps not for a customer. Some books I've gone back and re-titled.

That’s all for today’s interview. If you’d like to learn more about Sally’s books and other items she does, here are some links to get you started.

Website: http://www.sallyhuss.com

Facebook: https://www.facebook.com/sally.huss.5

Instagram: https://www.instagram.com/sallyhuss