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Showing posts with label Engraved on the Heart novel. Show all posts
Showing posts with label Engraved on the Heart novel. Show all posts

Tuesday, January 26, 2021

Letting Go of the Fear of Writing: Author Interview with Tara Johnson

My interview today is with an author who has published three novels and has been a finalist in the Carol and Christy Awards. She has articles published in Plain Truth Magazine and Live It Loud Magazine and has been a featured guest on Voice of Truth radio, Enduring Word radio, television and podcasts. Now read on to learn about her books.

Four years ago, you published your first novel. What drew you to writing that story? 

The spark of the idea for Engraved on the Heart began when our family visited Savannah, Georgia several years ago. I was entranced with the history and charm of the town. Secrets seemed to ooze out of every corner. My family had opted to take a historic riding tour of the city. I was especially intrigued by a fact rattled off by our tour guide. “Many of the older homes and buildings in and around the outskirts of Savannah were built by slaves. In fact, if you look closely, you can find some of their fingerprints in the bricks.”

Later that day, we walked down the cobblestone streets, admiring the elaborate homes guarded by moss-draped weeping willows. As I passed a house, a darkened impression molded into the crumbling brick snagged my attention. I sucked in a surprised breath over the precious detail. There it was, staring back at me. The fingerprint of a slave.

I ran my finger over the scarred impression, marveling that such a small mark could tell such an exquisite story. I wondered whose hands had formed the old brick. What was his name? What were his dreams? Running my fingers over that precious print linked me inextricably to the past, binding an invisible cord between the nameless slave and me.

The next day, we visited the Georgia State Railroad Museum where I found several books in the gift shop about famous women of the Civil War. Courageous heroes like Elizabeth Van Lew who fought against the norms of her culture to give freedom and hope to those trapped in darkness. I devoured their stories, many of whom I'd never heard of in school or otherwise. God slowly unfurled a story in my heart...the tale of a girl who battled epilepsy as a child, just as I did, but grew to understand her worth in the eyes of a loving God.


Who encouraged you along the way?
I had so many encouragers...family, friends, writing buddies. ACFW Arkansas and two dear writing friends, Savanna Kaiser and Cara Grandle, were special sources of prayer and inspiration.

Who helped you with the editing?
Shaina Turner and Danika King, my editors at Tyndale, were invaluable treasures as we worked to craft the story into the image embedded in my mind.

How did you go about finding an agent / publisher?
After I had spent several years working to learn the craft of writing, I began toying around with the idea of querying agents. A dear friend of mine, who is a successful writer, suggested I start by talking with hers. I was so green, I actually did everything I wasn't supposed to do! HA!

I contacted the agent through Facebook instead of emailing her, accidentally sent her my rough draft instead of the polished version I had slaved over, but she was incredibly gracious and kind. After several emails and a couple phone conversations, Janet Grant of Books & Such signed me as her client.

From the point you were offered a contract on that first book, how long did it take it to make it to print?
From the time Tyndale House offered me a contract, I believe it took around a year and three months to see it in print.

What is the hardest part of writing for you?
For me, the hardest part is writing the first fourth of the rough draft. It's all about getting the flow started. Even though I know my characters' wounds and fears, some of them don't like to give up their secrets until halfway through the first draft. Feeling my way through those first few chapters are exciting but a slow process.

What does your editor remind you to do most often?
Writers are a very insecure lot. I'm continually worrying that my next story will bomb. My editor just laughs and reminds me that it's normal to feel that way. I just need to keep creating and let go of fear.


What’s the best encouragement you’ve had in your writing?
The best encouragement comes from readers. Emails and letters telling me that a character's struggle helped them with their own. I've lost count of the times I've opened Instagram or Facebook to find a message from a reader who felt hopeless in a situation only to discover hope and renewed determination through a story. That's the greatest gift anyone of us can receive. People need to know they are not alone. That compassion, peace, mercy and redemption are still alive and within reach.

We have all experienced rejection. How have you learned to write past it?
I don't read reviews. Reading only the glowing ones will over-inflate the ego and obsessing over the negative ones will plunge a writer into darkness and depression.

What I have to remind myself often is that when this life is over, I won't stand before a jury of my peers. I'll stand before God. He won't ask me how many books I sold or if I made a best sellers list. It will be how well I loved Him and how well I loved people. Pleasing Him is all that matters.

What has surprised you the most in writing/publishing?
The overwhelming support for fellow authors is incredible within inspirational writing circles. There are very few egos and the willingness of established authors to reach out and mentor those who are new to the craft is heart-warming.

What has frustrated you the most?
As far as things that are frustrating, I suppose the trends of the market can be disheartening at times. Instead of publishers acquiring a steady stream of diverse genres, preferences seem to swing like pendulums...romantic suspense is hot one year, then it's historical romance, then it's Amish. It creates a breeding ground of writing to the market instead of writing what is 'true'. Writing as art. Writing as innovation and wonder.

What do you know now about writing you wished you had known sooner?
I assumed knowledge of the craft would provide more ease with writing. It doesn't. It makes you thirsty to learn more. Each story I write is harder than the one before it.

What is the best writing advice you’ve received or could give?
There are three great pieces of advice I received early on that meant a lot to me. First, your stories are not your babies. They are a product. They are special to you, but they do not define who you are. If you can separate yourself from your story, it will make the rejection process, and the editing process, much less painful.

Second, every character thinks they are the hero in their own story. Villains always think they are the good guy. Remembering this will help prevent you from writing flat, one dimensional characters.

Third, write what is true. Don't write what you think people want to hear, or what's been said a million times before. Dig deep into your own shadowed places. Write from your own hurts. Write truth. That's what people will connect to.

Your bio says you are also a songwriter. What’s that process like?
Songwriting is similar to writing a story, but it's much more compact. It's like putting together an intricate puzzle. Each piece has to fit just so. Meter, rhyme, assonance...all of those things add another layer into the complexity of the puzzle. The idea is the same though. You're trying to express a single profound thought that speaks truth and tugs on the emotions. You're just trying to do it in four minutes instead of 400 pages. HAHA!

Will we be hearing any of your songs on the radio?
Yes, several of my songs have been featured on radio stations in the south.

What is the next book coming out? Can you give me a short synopsis?
I'm currently working on two new stories. One is based on the life of Dr. Mary Walker, who was a surgeon for the Union Army. She was the only woman to ever receive the Medal of Honor.

The second story is based on the Irish slave trade. The main character, Avalina, is taken from her home and sold into slavery in Barbados. After the trauma of her childhood, she suffers from mutism. The hero in this story is loosely based on John Newton, the man who was transformed from slave trader to freedom fighter.

Wow. I’m sorry to say that’s all there is for today’s interview. Tara’s stories sound intriguing and inspiring. Hope you will look into them with these links.

Website: www.TaraJohnsonStories.com

Amazon buy link for All Through the Night: All Through the Night: Johnson, Tara: 9781496428394: Amazon.com: Books

Facebook: https://www.facebook.com/profile.php?id=100058188301011

Twitter: @TaraMinistry

Instagram: Tara Johnson (@tarajohnsonministry)

Pinterest: www.pinterest.com/tarajohnsonauthor

Tuesday, July 2, 2019

Timing and Writing Ability: Author Interview with Tara Johnson


Today's interview is with a romance novelist whose stories revolve around the Civil War.  Being a big fan of Gone With the Wind (book and movie), I knew we had to have a chat. Her debut novel Engraved on the Heart earned a starred review from Publishers Weekly, as well as numerous other accolades. She has articles published in Plain Truth Magazine and Live It Loud Magazine and has been a featured guest on Voice of Truth radio, Enduring Word radio, television, and podcasts. Now let's learn about her writing story.

What drew you to writing historical romance? 
I grew up reading Little House on the Prairie and Anne of Green Gables. When my Mom started bringing home books by Lori Wick, I was entranced. I’ve loved historical romance ever since.

What type of research do you do in writing a story with a historical base? Tell me about the process.
I read as many books as I can find on the particular event, location, and/or person who inspired the story I’m wanting to write. I also read journals by people from the era. Internet research helps tremendously if I get stuck finding obscure information.

How much “artistic license” do you use in creating locations for your stories?
I tend to try to use real locations in my books. If possible, I try to visit and get acquainted with the scenery, layout, flora, and atmosphere of the town where the story is set.

Have any readers complained that your area descriptions aren’t correct?
I’ve never had any complaints yet, but no author can be correct all the time. I can only strive to write the best story possible and make every effort to respect the location.

How did you go about finding a publisher?
Laura Frantz, a very talented and extremely kind author, suggested I approach her amazing agent Janet Grant. I was so green and did everything completely backward in my interactions with Janet, but she was incredibly gracious. After several months of chatting with her, she signed me as a Books & Such client.

I had several different projects, both fiction and nonfiction. Janet submitted several, at least two or three, to multiple publishing houses during the first year or two. Several of them came close to being picked up but then the market changed.

I tried not to be discouraged and give in to the temptation to write for the ever-changing whims of the publishing market. It’s far too unpredictable. Instead, I focused on writing what I loved.

A year later, I sat across the table from Jan Stob (Tyndale House) at the national American Christian Fiction Writers Conference and pitched her my latest project, a Civil War story about a girl with epilepsy. Tyndale picked it up a few months later. God has been so incredibly kind.

How long did it take you to write your first book? How many rewrites did you do on it?
It took me about five months to write the draft of my very first story. When I came to understand the craft of writing, I think that story went through at least seven major rewrites to get it into shape. No one had eyes on the manuscript other than me, but a host of people contributed to its rewrites: instructors of the writing conferences I attended and authors of the craft books I devoured. Julie Lessman and Laura Frantz were huge encouragers during those early days.

Did you ever want to give up writing your first book? 
I wrote my first book purely for the fun of it. I had no desire to quit. Looking back, I had no idea how terrible it was! But that’s okay. We start where we start. Once I figured out writing was something I wanted to pursue, I dove headlong into learning the craft. I attended as many conferences as I could afford and gobbled up as many craft books as I could get my hands on. My writing improved dramatically in just a few years.

How long does it take you now to write a book? How do you write?
Including the research time, it usually takes me around seven or eight months to write a book. I immerse myself in research for a month or two before I begin the actual writing process. I also spend that time delving deep into my main characters, learning their wounds, fears, goals, and history. I follow a very loose skeletal outline. I generally know what the inciting incident will be, some of the major obstacles and the midpoint crisis. Everything else I discover as I go.

What are some of the more difficult aspects of writing a historical novel?
The research for Civil War stories is incredibly intense. Every detail must be checked and double checked.

Have other novels been started and stopped along the way? 
I’ve never given up on a novel partway through writing it, although it was a temptation during the last story I finished! The setting was wrong in the beginning and it went through several major rewrites.

What do you know now about writing/publishing you wished you had known sooner?
So many writers drive themselves crazy, riding the pendulum of emotions and insecurity in trying to get published. Once the craft is solid, so much of it is just about timing. A publishing house may pass on a project because they have another author writing in a similar genre, they have just picked up another story too similar to yours (even though your writing may be better), or their general overarching long-term strategy as a business might be changing, affecting how many authors they can sign.

Rushing ahead of God’s plan is a recipe for disaster. Be patient, and wise enough, to wait for that perfect timing. So many times, authors feel they need a contract for their own personal validation, but in truth, timing plays as critical of a role as ability.

What other books do you have in the works?
I’m currently working on edits for my next Civil War novel with Tyndale, tentatively entitled A Song for Cadence, as well as finishing up the rough draft for a brand-new story based around the burning of the Shenandoah Valley.

What is the best advice you’ve been given about writing or that you’ve learned that you would like to pass along?
I received two great pieces of advice early on in my writing career. The first one came from Tamera Alexander. She said, “Your books are not your babies. They are a product. Never confuse the two.” 

It was such a terrific observation. Keeping this distinction in mind takes the sting out of criticism, and helps me remember my worth has nothing to do with how well or poorly my latest story is received.

The second piece of advice was, “Villains are always the hero in their own story.” I’ve never forgotten it. This simple thought prevents me from writing cardboard characters. We are all deeply flawed, yearning for significance and desperate for love.

Good points! If you’d like to learn more about Tara’s writing and what’s coming up next for her, here are some links to get you started.

Twitter: @TaraMinistry