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Showing posts with label writing MG novels. Show all posts
Showing posts with label writing MG novels. Show all posts

Tuesday, October 13, 2020

Writing is a Discipline: Author Interview with Louise Guy

You wrote a 10 middle-grade series in your Minecraft storyline as an indie-publisher. What made you decide to go indie? 
Going indie with the Crafters’ Club books was an easy decision. I was desperate to get my nine-year-old Minecraft obsessed son reading, and the traditional publishing route would have taken too long. If a publisher had taken the books on, I’m guessing it would have been twelve to eighteen months from contract to publication (if I’d even been lucky enough to get a publisher). 

My son might have lost interest in Minecraft by then! Selling books wasn’t my initial goal with this series. Getting one boy reading was! I made him a main character and asked for his input along the way. I was also keen to try my hand at self-publishing and realised this was the perfect series to get that experience.

What tips would you offer someone who wants to go indie to help save them from unnecessary pitfalls?
As far as tips for indie publishing, in addition to a quality story and professional edit, covers and blurb are critical. Don’t skimp on editors or covers. You’re competing with the traditional publishers, so want to ensure your quality is as good, if not better. Join Facebook groups that share information on indie publishing. The 20booksto50K group has excellent resources, as do many other genre specific groups. Indie authors are usually very open to sharing their information, so tap into groups you can learn from.

I have found that middle-grade fiction is much harder to sell as an indie publisher than my women’s fiction. Ideally, you want middle grade in paperback format in the book shops. I sought out distribution for the Crafters’ Club series, which meant they were prominent in Australian bookstores.

While doing those MG books you also wrote women’s fiction. Why did you add a second genre to your writing? 
I was writing women’s fiction before embarking on the Crafters’ Club series. I’d submitted one of my books and had experienced my first taste of rejection and made the decision to put my women’s fiction on hold and make an attempt to get my son reading. As I began writing the Crafters’ Club, I realised that the market potential was much bigger than just my son.

Which sells better -- your MG books or women's fiction?
Of the two genres, my women’s fiction has produced more sales.

You currently publish through Lake Union, which is an Amazon imprint. They no longer accept unagented submissions. How did you get involved with them?  
My involvement with Lake Union was very unexpected. In November 2018, I woke up to an email of which the subject line was “A fan of your books.” I assumed it was going to be a lovely email from a reader. I nearly fell off my chair when I opened it and read it to find that an editor from Lake Union had read all three of my self-published books and wanted to chat about possible publishing opportunities with Lake Union. 

A phone call very quickly confirmed that they were looking to offer a five-book deal, including re-publishing my three existing titles and two new ones. Lake Union had noticed my books because they’d sat high on the Amazon charts for many months. While I consider myself incredibly lucky to have been discovered by Lake Union, I also acknowledge that it was a combination of hard work and good fortune that created that opportunity.

One of your books, A Winning Betrayal, is a re-publish of a previous book. What type of changes did you make that are an improvement from the first book?
A Winning Betrayal, previously Fortunate Friends, has had an extensive overhaul, whereas the other two books Lake Union are re-publishing are unchanged. The original story saw unusual circumstances bring together three women who form a close friendship and support each other through several difficult situations. 

It was felt that removing one character would bring greater depth to the other two storylines. I enjoyed delving further into the stories of the two remaining characters. New secondary storylines were added, the way they met changed, and why their friendship continued also changed. 

Fifty percent of the book has been re-written. I think people who read Fortunate Friends will read it and enjoy it. It will feel familiar because they know Shauna and Frankie, but the story will seem quite different in many ways. I was given the choice of which character I wanted to remove so it wasn’t a case of one storyline not working, but rather a case of enriching the other two storylines.

Do you have an agent?
No, I don’t have an agent, but it is an area I am currently researching as I would like to work with someone moving forward.


What is the hardest part of writing for you? 
I find the most challenging part of the writing process description. I’ll often leave it out in scenes just put DESCRIBE in that section. It might be someone’s appearance, a location, a feeling even. I like to spend time on the descriptions and find it slows me down too much to write them as I go. I instinctively know when description is required, but it doesn’t flow in the same way dialogue and other parts of the narrative do.

What does your editor remind you to do most often?
To scale back and trim unnecessary detail from scenes, which slows the pace of the novel. If it isn’t vital to atmosphere and scene-setting, as well as plot, then get rid of it!

What’s the best encouragement you’ve had in your writing?
There have been many different ways I feel I’ve been encouraged so far in my writing journey. The first was when I self-published the Crafter’s Club. I’d had a lot of people, particularly other authors, say things to me like “don’t you want a proper publisher” and suggest that the books were inferior because they were self-published. 

The reader reviews and messages I received from both parents and kids who loved the books were a validation that I had a good product that stood up against traditionally published books. Being approached by Scholastic in New York to include two of the Crafters’ Club books in their schools’ book club program was also incredibly encouraging, as was feeling like a rock star when doing school talks and having kids queue for ages to have the books signed. The Lake Union contract has also been a huge encouragement.

We have all experienced rejection. How have you learned to write past it?
My first rejection was the hardest. I’d pitched at a Romance Writers of Australia conference. It was a nerve-wracking experience, but two publishers asked for partial manuscripts. I was elated. I’d been warned it could be weeks or months before I heard back from either of them.

Unfortunately, I heard back from one of the publishers within a week with a very harsh critique, which instantly killed my bubble of excitement. She’d read the first two chapters and decided she hated the characters and wasn’t interested in reading anymore. I certainly hadn’t expected such a blunt response! 

I was quite down initially, but the second publisher contacted me a few weeks later, saying she loved it and wanted the rest of the manuscript. It got as far as an acquisitions meeting but was up against three other books, all fighting for one slot in the publishers’ schedule. 

The most significant learning from this is just how subjective publishing is. What one editor loathed another loved. This is the same with readers, of course, and that’s why knowing who your target market is and what genre expectations they have is essential. It is also important to ignore negative reviews if the majority of your reviews are positive. Of course, if all of your reviews are negative, then it is time to look at your product!

What has surprised you the most in writing/publishing? 
One of the biggest, and nicest, surprises in the writing community, is the willingness of authors to share information. If you are new to writing, do your best to surround yourself with other authors. You will learn so much and feel so inspired by their enthusiasm and achievements. If you are wondering where to find them, Facebook groups for the genre you are write in are a perfect starting place.

What frustrated you the most?
Frustrations? In the early days, I would have said the submission process and pitching to editors. The delay in responding, if responding at all, seems archaic. Other than that, I do occasionally get frustrated when I hear writers make excuses as to why they aren’t writing or have missed deadlines. “I’m just too busy,” doesn’t cut it with me! Being successful comes down to discipline.

What do you know now about writing you wished you had known sooner?
While I worked this out quite quickly, I wish I’d been aware from day one that a traditional publishing contract in a small market such as Australia is unlikely to achieve the same success as self-publishing will. This is not necessarily the same case in broader markets such as the US and UK. 

In Australia, print runs for debut authors are often only three thousand books, and minimal impact is made on the international eBook platforms. One print run where your book is available for three months is a small reward for the time, effort, and energy you’ve put into writing that book! You can achieve much better results self-publishing and targeting bigger markets such as the US and UK.

What is the best writing advice you’ve received or could give?
The best advice I could give is based on what I’ve observed in successful writers. The main ingredient to being successful, I believe, is discipline. It is about scheduling time to write and doing it at that time, no matter what. If you wait to be in the mood, you’ll probably never write a word or take years writing one book. You need to make a plan that works for you as far as when you write and for how long and stick to it.

Are there any other points about writing you would like to add?
I am lucky to have many writer friends, and I think it is important to acknowledge that many of us are on different journeys regarding our writing. Some run their writing as a business, and it is their fulltime income; some want literary reviews and recognition from bestseller lists; others want to see their book on the shelf in a bookstore; while others might just want to be able to print copies to give to family and friends. Whatever your reason for writing, be careful who you compare your output and success with, as it is quite likely you’ll have different goals and be on a completely different journey to them.

What is the next book coming out? Can you give me a short synopsis?
A Life Worth Living is my next book to be released. It will be available on October  15. 

Here is the blurb...Are some white lies simply too big to forgive?
Eve and Leah are identical twins―but beyond that, they're polar opposites. Struggling journalist Leah envies Eve's seemingly perfect life―the loyal husband, the beautiful twin daughters, the stellar career―little knowing that what Eve longs for most is Leah's independence.

When a shocking event upends their world, one woman seizes a split-second chance to change everything and follow her sister down a different life path. It's a spontaneous choice, but there's no going back. How will she deal with the fallout when covering up one untruth means lying to everyone―about everything?

One thing is clear: both twins have secrets, and both just want to be happy. But what price will they pay to live the life they've always wanted?


That's all for today's interview. Hope that blurb piqued your interest. If you'd like to learn more about Louise's writing, here are some links to get you started.

Website: www.louiseguy.com
Facebook: https://www.facebook.com/louiseguyauthor
Amazon: https://www.amazon.com/Louise-Guy/e/B...

Tuesday, July 9, 2019

Seek Out Your Champions: Author Interview with Lija Fisher


You have a BFA in Theatre Performance. What drew you away from acting to writing a book/series for middle-graders?
As a theatre actor, I rarely did back to back shows, so I often had a lot of down time in NYC where I was just doing the 'hustle'...working my day job and auditioning. It was during one of those times that I really felt the need to do something creative, even though I wasn't in a show. 

I discovered that I really enjoyed writing, and my work as an actor gave me the ability to spin a good yarn, and before I knew it, I had a book written! Basically, I became a writer out of desperation when nobody would hire me as an actor!

Your bio also states that you were a Writer in Residence with Aspen Words. How did that come about? 
The writing residency through Aspen Words and the Catto Shaw Foundation gave me a month alone in a cabin outside of Woody Creek, CO, where I had nothing but time to write and wander the woods for inspiration.

During my residency, I wrote the second book in my cryptid duology, The Cryptid Keeper. I had attended a summer writing conference through Aspen Words a few years prior, and truly felt like what I learned in that week helped my first book get published. 

After I received my book deal, I applied for the residency and was fortunate enough to be offered one, and hope to someday be granted another one as it was so valuable to me. There's one that takes place in a medieval Scottish castle that I dream of being accepted for!

What drew you to writing an MG book about a child on a quest to find mythical creatures? 
I happened to read an article about a hunting party that went out to find the Otterman in Alaska. I had never heard of the Otterman and after researching it discovered this whole world of cryptozoology or the study of 'hidden animals,' animals that might be real even though we lack scientific evidence. Like Bigfoot.

I first wrote the story as an adult novel and I got an agent based on that book, which was about a Delta Force soldier hunting down these cryptids. He encouraged me to re-write it as a Young Adult novel. That version was terrible, it was about a boy looking for dragons while wishing he had a girlfriend. 

So, my agent suggested I re-write it again as a middle-grade novel, and that seemed to fit my storytelling voice the best. I didn't know I was an MG writer, I kind of stumbled my way there! 

The whole process of writing three different versions of the same book took about a year and a half, and my agent was the only person helping me with the editing. 

Are you active with any writing critique groups?
I'm not at the moment. I have a couple of friends who read my work and give me great notes, but in general, I just throw stuff at my agent and he guides me. He gets my voice so well and always steers me in the right direction. 

How did you go about finding an agent/publisher? Did you go to conferences? Send out queries?
I got my agent by querying. It is possible to be found through the slush pile!

What is the hardest part of writing for you? Starting?
Probably the hardest thing for me is finding the 'heart' of a book. I love action and snappy dialogue and funny characters, but none of that means anything if readers don't care about the characters. I'm always ready to storm the castle but discovering why that's important to the people involved is always the tough part for me. 

What does your editor remind you to do most often?
My agent reminds me to keep doing what I do best, writing funny adventure stories. My editor reminds me to keep it grounded in reality, which is hard when I'm writing about Bigfoot and UFO's!

What’s the best encouragement you’ve had in your writing?
Honestly, the first literary agent who read my work told me NOT to join a writing group. He said to trust and hone my natural voice, and he was 
worried that if I spent too much time being told what was wrong with my writing it would discourage me.

So, for the first few years I just wrote for myself, had fun with it, and never had anybody tell me my work wasn't any good, because I didn't show it to anybody! It was actually a really nice way to gain confidence in my writing. 

We have all experienced rejection. Give me an example of how you learned to write past it.
I'd experienced so much rejection as an actor that by the time I began writing, the rejection didn't bother me much. I knew I enjoyed writing, I knew I had a tiny bit of ability to do it well, and I was just grateful to have the chance to be creative. I queried probably 100 agents, and only one responded, but my stories make him giggle the way they make me giggle so he's able to guide me to write my best work. Listen to those who say you're amazing, and close your ears to the others. Life is much more fun that way!

What has surprised or frustrated you the most in writing/publishing?
In publishing, there's no manual for 'what comes next,' so things can often seem like a mystery, especially after you're published! My editor would send me things like 'first pass pages' and I'd have no idea what they were or what I was supposed to do with them. Talking with fellow writers who had been through the process became invaluable.

What is the best writing advice you’ve received or could give?
The advice I would give is to write the story that makes you happy, that makes you giggle or cry or want to read yourself, the story you love, and then find your champions who feel the same way you do about your work.  

Are there any other points about writing you would like to add?
You WILL be rejected, so find a way to love your work even when others don't. It's criminal to let someone's else's opinion of your stories crush your ability to tell them best.

What is the next book coming out? Can you give me a short synopsis?
The Cryptid Keeper comes out August 20th! In it, Clivo and the Myth Blasters are back on the trail of the immortal cryptid, all while keeping Aunt Pearl in the dark about their dangerous adventures!

How many more “Cryptid” books do you think there will be in the series?
If it were up to me, so many more! Right now, the book series wraps with book 2, but I'm hoping it turns into at least a trilogy. But that all depends on how much love readers give it!

Sounds like a fun read for kids. If you’d like to learn more about Lija’s writing, here are some ways to get you started.
Website: LijaFisher.com
Twitter: @lijafisher 
Instagram: @cryptidcatcher
Youtube (for Bigfoot videos!): Youtube.com/lijafisher