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Showing posts with label handling rejection. Show all posts
Showing posts with label handling rejection. Show all posts

Tuesday, May 30, 2017

From Blogging to Novels: Author Interview with Molly Campbell

When did you start your first novel? Was there any particular author that made you think “I could write like that?” 
I started my first novel, Keep the Ends Loose, about six years ago. And yes, there was an author that I loved and thought I could write in a similar vein.  That would be Lisa Lutz and her Spellman family series. The Spellman Files was just hilarious, and her narrator reminded me of my own thinking.

How long does it take you to write a novel? 
It takes me about two years. I carry the story around in my head for a long time before I start writing. The writing itself stretches on for at least a year. 

How many rewrites do you normally do?
Rewrites? On my latest title, Crossing the Street, there were about six arduous rewrites. My editor and publisher is the brilliant Lou Aronica of The Story Plant, and he guided me the whole way. He is brilliant.

Are you active in any writing groups?
Actually, no. I have been writing and blogging for over ten years. I am an old woman. My style and scope are my own. I think I missed the window for writing groups!

What made you decide to go with The Story Plant, rather than a large press?
It all happened in a very “karmic” way! I self-published my first book, Characters in Search of a Novel, which is a collection of flash fiction with great illustrations by Randy Palmer. That stemmed from a Twitter stream of funny names and descriptions of what people with those names might be like: i.e.: Loretta Squirrels—she makes moonshine and beats her husband. I did these posts for about a year until another writer suggested I put them in a book. 

I submitted one of my stories to The Story Plant, thinking it was an online literary magazine (I know; I didn’t do much research!). Lou responded and said that The Story Plant was a publishing company, and “did I have anything longer?” I blithely answered “NOPE!” That began a relationship with Lou as my mentor. He taught me how to write a novel (I trashed a complete manuscript—my first try at fiction). After three years, he published Keep the Ends Loose. I have never looked back.

What do you like the most about working with The Story Plant?
The individualized attention to my work. Lou and his staff devote hours and hours to their small stable of authors. We get the advice and criticism that we need to improve as writers, and our questions are answered promptly and with great care not to discourage. I respect everyone at The Story Plant. It is a group of talented and vastly experienced people who have all had long careers in publishing. Lou himself is the author of numerous novels.

What is the hardest part of writing to you? 
Oh, my gosh, that is so easy to answer! PLOT. I am a character-driven writer, and I absolutely fall in love with my eccentric characters. But plot? That is another matter entirely! I think the best and most successful writers come up with a fabulous plot idea, and then populate it with characters. 

I have a bunch of crazy people that exist in my head, and if only there were a plot store where I could buy a plot line to put them in, I would be so happy! I am not a natural storyteller, and so I labor over my plots.

We have all experienced rejection. How have you coped with rejection and gotten past it?
It still stings. I entered a writing contest in which the prize was $5000. Two of my friends also entered. When we attended the event in which the winners were announced, both of them (a married couple) won. I won nada. I rode home with them as they rejoiced over their $10,000 windfall. They were very gracious about it, but I have never quite gotten over it! But since then, I have had two novels published, so that is a great consolation.

What has surprised you the most about the publishing industry? What has been the most frustrating? 
Marketing. Even the “big five” publishers don’t spend the marketing dollars that they once did. So much of book marketing now falls to the authors, who are not skilled at marketing—we are writers! But this is a fact of life, and I have learned a lot about marketing: using social media and newsletters, scheduling my own signing events, and maximizing local publicity.

What do you know now about writing that you wished you had known sooner?
That I am good at it. I began my writing career at the age of 50. Where might I be now if I had begun writing in my thirties?

What is the best writing advice that you can give someone?
Write a lot. Blogging is great practice—keep it up on a regular schedule. READ all the time! The more you read, the better you are at understanding what makes a good book. 

Do you have another book in the works? Can you give a synopsis?
I do. But here is the thing: a manuscript is a very fluid thing. What I think my next book is going to be about at this moment will probably be nothing remotely like the finished product. Rewrites and plot changes are a given. So I can’t really predict what my next one will be once it’s finished. But I know it will be women’s fiction, and it will treat serious subjects in a humorous fashion. And there will be a dog involved.

That's all for today's interview. If you'd like to learn more about her writing or buy her books, here is a way to start. 

Her blog: http://mollydcampbell.com
Link to her novels: Books

Tuesday, May 16, 2017

Shelving your First Novel: Author Interview with RomalynTilghman

When did you start your first novel? Was there any particular author you read that made you think, I could write like that? 
I didn't start my first novel until I'd had a full career in arts management. I've always read novels,
lots of them, and always hoped I might try to write one myself. Several things happened about ten years ago that move me forward to that goal. 

A friend of mine, Erin Hart, started writing mysteries and absolutely glowed with the joy of it all. I lost a major contract when funding didn't come through, and I decided to take one month to explore writing. I went up to UCLA for the Writers Faire and heard about their online extension program and that Gayle Brandeis, a most favorite writer, was teaching. When I shyly introduced myself, she called my bluff and told me she'd let me into her class without the prerequisites. A few weeks later I was hooked.

How long did it take you to write your first book? How many rewrites did you do on it? 
The book I wrote in that class got finished quickly, in a matter of six months. It's still in the drawer. My debut novel, TO THE STARS THROUGH DIFFICULTIES, took about eight years. It got workshopped in three more UCLA classes. I can't count the number of rewrites. 

Who helped you with the editing? Who encouraged you along the way? 
I'd decided to design my own MFA program, so I hired lots of people to take a look at my work-in-progress. Ann Hood, Heidi Durrow, Jennifer Pooley, and others. There's also a long list of friends who read and encouraged and critiqued. I'm luckiest in friends, who encouraged constantly. I'm not active with critique groups. Next time! It's so good to be able to get feedback in a timely way, as I did in the UCLA classes.

What is the hardest part of writing for you? Starting? Creating a scene? Dialog? Tension, etc?
Tension is certainly a challenge. For me, the flow of the novel may be the biggest challenge. That's where I usually see the biggest problems in first novels, and where I worry most for myself. I can write scenes forever. The trick is getting them to go from one to the next and to discard those that don't serve the story.

We have all experienced rejection. Give me an example of one you’ve had, and how you learned to write past it.
Rejection? Too much of it to remember and I've blocked it all! Just a few weeks before I decided it was time to let go of my book, a famous author asked if it was a first draft and suggested some novels belonged in drawers. It was actually helpful because I realized I was no longer willing to listen to negative input. 

The reviews for my published book have been amazingly strong. I woke up one morning and understood why I was so surprised. I'd had eight years of criticism so the post-pub praise seems sudden (and especially sweet!).

What has surprised you the most in writing/publishing?
In the decade it's taken me to get this far, the publishing business has changed so much. As is true in so many fields, the pressure to be BIG is enormous. It only makes sense for agents and publishers to look for the million dollar books. Debut novels are unlikely to be million dollar books. The alternative is to self-publish and sell a few hundred books, mostly to friends. There's very little middle ground, although I hope TO THE STARS will hit it.

What do you know now about writing that you wished you had known sooner?
In my role as a consultant to artists, I've always said: "Anything worth doing should never have been attempted in the first place." As much as I knew that on one level, I'm not sure I would have started down the writing path had I known how much time and money it would take. That said, I'm thrilled I made the journey.
What is some of the best writing advice that you’ve received or could give?
Never forget you're doing this because you WANT to do it. It's a choice. Either because it gives you joy, you have something to say or have a story you have to tell. Even on the bad days, it's your project, so wrap your arms around it and push forward. You'll be sorry if you don't. 
Are there any other points about writing that you would like to add?
You often hear how crazy-making the creative process is. I found it to be very healthy. I learned skills in stepping back, understanding what I could control and what I couldn't, skills I wish I'd developed a few decades ago. Which isn't to say there weren't crazy days.

Do you have another book in the works? 
Ideas are bubbling. I haven't committed much to paper yet. I may carry on with Angelina and Traci for one more book. Or I may do something with the Harvey Girls or I may pull out that first manuscript that has a protagonist, Viva, who is preoccupied with obituaries. Stay tuned!

That’s all for today’s interview. If you would like to learn more about Romalyn’s writing, here are some links to get you started.